Vol. 48 (2024): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT Scientific journals Branch

DOI: https://doi.org/10.35619/ucpmk.v48i

Published: 2024-06-15

HISTORICAL AND ARTISTIC HERITAGE OF UKRAINE IN THE CONTEXT OF THE WORLD CULTURE

• THE EVOLUTION OF THE SEMANTICS OF CULT STONES AND ITS REFLECTION IN THE SACRED ARCHITECTURE AND ART OF THE ANCIENT WORLD

  Yaroslava Bondarchuk

  6-17

  • *pdf (Українська)
• MORPHOLOGY AND SEMANTIC INTERPRETATION OF TRIPIL CERAMIC IDIOPHONES OF OVAL ELONGATED AND ANTHROPOMORPHIC FORM

  Olga Oliynyk

  18-25

  • *pdf (Українська)
• DANCES OF DEATH IN THE FINE AND DECORATIVE AND APPLIED ARTS OF EUROPE IN THE 14TH–18TH CENTURIES

  Olga Shkolna ; Ostap Kovalchuk , Diana Kachurovska , Yana Pogrebnyuk

  25-32

  • *pdf (Українська)
• SOURCES OF INSPIRATION AND CLASSIFICATION OF ORIENTAL CARPETS IN EUROPEAN PAINTING OF THE MIDDLE AGES

  Ulyana Belnaqita

  32-37

  • *pdf (Українська)
• PROBLEMS OF RECONSTRUCTION AND THE SIGNIFICANCE OF SLAVIC MUSICAL INSTRUMENTS IN THE SPIRITUAL CULTURE OF MEDIEVAL EUROPE

  Iryna Zinkiv

  37-49

  • *pdf (Українська)
• THE CHARACTER OF GERMAINE TAILLEFERRE: GENRE-STYLE SPECIFICITY AND THE CULTURAL-AESTHETIC PARADIGM OF THE COMPOSER’S CREATIVITY

  Lilia Shevchenko

  49-55

  • *pdf (Українська)
• DUET POLYPHONY IN THE TEXURE OF PIANO WORKS F. CHOPIN (BASED ON THE EXAMPLE OF BARCAROLA, op. 60)

  An Lu

  55-60

  • *pdf (Українська)
• «REGNAVA NEL SILENZIO» FROM DONIZETTI'S OPERA «LUCIA DI LAMMERMOOR» INTERPRETED BY YING HUANG : THE SPECIFICITY OF THE MUSICAL TEXT AND ITS PERFORMANCE EMBODIMENT

  Liang Lijuan

  61-67

  • *pdf (Українська)
• DRAWING IN THE ART OF THE MEDIEVAL BOOK OF THE LATIN WEST: ON THE QUESTION OF HISTORY, FEATURES OF ARTISTIC PRACTICE AND THE SEMANTICS OF ICONOGRAPHIC MOTIVES

  Bohdana Hrynda

  67-74

  • *pdf (Українська)
• THE BIRTH OF EUROPEAN PERFORMANCE ON THE DOUBLE-ROW XYLOPHONY OF THE AMERICAN SYSTEM

  Dmytro Oliynyk

  74-80

  • *pdf (Українська)
• THE PERFORMING SCHOOL OF THE LYSENKO LMI AND POLISH MUSICAL INSTITUTIONS IN STRYI IN THE EARLY TWENTIETH CENTURY

  Oksana Korol ; Maria Gereha

  80-87

  • *pdf (Українська)
• EARLY WORKS OF LEV GETS (1915-1919)

  Iryna Gакh

  87-94

  • *pdf (Українська)
• MYKHAILO BOYCHUK'S NEO-BYZANTISM IN THE CONTEXT OF THE UKRAINIAN NATIONAL STYLE FORMATION (POLEMICS IN THE PERIODICS OF THE 1930 S’)

  Nataliia Benyakh ; Ustym-Anastasiy Benyakh

  94-102

  • *pdf (Українська)
• FIGURATIVE DOMINANTS IN THE MONUMENTAL COMPOSITIONS OF ANDRII BOKOTEY «THE LAST SUPPER» AND «TERRACOTTA ARMY»

  Lyudmyla Smakova

  102-107

  • *pdf (Українська)
• THE MUSICAL LANGUAGE OF QIN ZHU IN THE CHINESE FOLK SONG «THE GREAT RIVER FLOWS EASTWARD» BASED ON THE POEM BY SU SHI

  Xiong Chengjian

  107-113

  • *pdf (Українська)
• PROBLEMS OF PROFESSIONALISM OF CHORAL ART ON THE PAGES OF THE JOURNAL «UKRAINIAN MUSIC» 1937–1939

  Ostap Maychyk

  114-119

  • *pdf (Українська)
• FIGURATIVE AND STYLISTIC PALETTE OF THE PIANO CYCLE BY FYODOR YAKYMENKO «URANIA»

  Oksana Pysmenna ; Дарія Гордійчук

  119-126

  • *pdf (Українська)
• CREATIVE HERITAGE OF THE A-STUDIO GROUP IN THE CONTEXT OF NATIONAL VARIETY ART OF KAZAKHSTAN

  Іnesh Kdyrova; Kuanysh Ryskulov

  126-132

  • *pdf (Українська)
• THE TRANSFORMATION OF LINEUP OF WEDDING MUSICIANS (BASED ON THE MATERIAL OF THE VILLAGE OF NASTASIV IN THE TERNOPIL DISTRICT OF TERNOPIL REGION)

  Stepan Buranych

  132-138

  • *pdf (Українська)
• MUSICOLOGICAL-CULTURAL AND ARTISTIC-AESTHETIC ANALYSIS OF THE GENRE PALETTE OF CHURCH CHANTS ON THE EXAMPLE OF CANONICAL AND NON-CANONICAL WORKS

  Olga Sapozhnik

  138-146

  • *pdf (Українська)

THEORETICAL AND ARTISTIC ASPECTS OF THE UKRAINIAN CULTURE

• CELTIC RENAISSANCE THROUGH THE PRISM OF THE VICTORIAN ERA

  Alla Sokolova

  147-153

  • *pdf (Українська)
• MUSIC IN CULTURAL DIPLOMACY MODERN UKRAINE

  Valentyna Redya

  153-160

  • *pdf (Українська)
• PROGRAMME MUSIC AS A PHENOMENON OF HISTORICAL DISCOURSE

  Nina Dovgalenko

  160-168

  • *pdf (Українська)
• SPIRITUAL-SYMBOLIC AND INTONATION-DRAMATURGICAL SPECIFICITY OF 68 CANTATES BY J. S. BACH

  Anna Dzhulay

  168-174

  • *pdf (Українська)
• TRADITIONAL RHETORIC IN THE WORKS OF FRANZ LISZT IN THE CONTEXT OF MYTHOLOGICAL PERCEPTION ON THE EXAMPLE OF THE ETUDE «FEUX FOLLETS»

  George Kozhukhar

  174-181

  • *pdf (Українська)
• ARTISTIC ASPECT OF VARIETY-JAZZ COMPOSITIONS FOR ACCORDION

  Maryna Bulda

  181-188

  • *pdf (Українська)
• THE ROLE OF THE TALENT SHOW «THE VOICE OF THE COUNTRY» IN UKRAINIAN POP MUSIC

  Andrii Furdychko ; Nadiia Broiako , Vadym Yurchuk

  188-194

  • *pdf (Українська)
• THE INSTRUMENTAL COMPONENT AS THE LEADING FACTOR OF THE FIGURATIVE SYSTEM OF PROGRESSIVE ROCK

  Volodymyr Romanko ; Maiia Rzhevska

  194-200

  • *pdf (Українська)
• UKRAINIAN SOUND INDUSTRY AND SOUND PRODUCTION IN THE CONTEXT OF MUSICAL ART

  Nadiia Bondarets

  200-206

  • *pdf (Українська)
• IMMERSIVE AUDIO AND ITS VALUE FOR CLASSICAL MUSIC

  Oleksii Nosenko

  211-216

  • *pdf (Українська)
• THE YIN YANG CONCEPTOSPHERE IN HUANG RUO'S SYMPHONIC MUSIC

  Huang Kailiang

  216-223

  • *pdf (Українська)
• THE EXPERIENCE OF CHINESE WOMEN CONDUCTORS IN THE CONTEXT OF WORLD MUSIC PRACTICE

  Geng Yinuo

  223-230

  • *pdf (Українська)
• THE EXPERIENCE OF CHINESE WOMEN CONDUCTORS IN THE CONTEXT OF WORLD MUSIC PRACTICE

  Yuan Ye

  230-235

  • *pdf (Українська)
• THE ROLE OF THE DIRECTOR IN MODERN THEATER : ANALYSIS OF STYLES AND THE INFLUENCE OF THE DIRECTOR'S DECISIONS ON THE INTERPRETATION OF THE TEXT

  Olena Spolska, Galyna Boreiko, Nadiia Zeleninа

  235-241

  • *pdf (Українська)
• CABARET AESTHETICS IN MODERN DANCE SPORTS

  Dmytro Basela

  241-246

  • *pdf (Українська)
• СУЧАСНИЙ ТРЕНД ТЕАТРАЛЬНОЇ КУЛЬТУРИ : САМОСТІЙНИЙ ТЕАТРАЛЬНИЙ ФОРМАТ

  Svitlana Shumakova ; Marina Ostrovskaya

  246-251

  • *pdf (Українська)
• DIGITAL TECHNOLOGIES IN THE ART OF CONTEMPORARY UKRAINIAN PUPPET THEATRE

  Daria Zadorozhnia

  251-257

  • *pdf (Українська)
• VISUAL REPRESENTATION OF HISTORICAL SPACE IN UKRAINIAN FEATURE FILMS (2000-2020)

  Maksym Demydenko ; Nataliya Markhaichuk

  256-264

  • *pdf (Українська)
• MULTICULTURAL NARRATIVES IN SEMANTIC SPACE OF HOLLYWOOD CINEMATOGRAPHY IN THE 2010 s.

  Mykyta Surnin

  264-270

  • *pdf (Українська)
• THE MUSICAL BY ODESA AUTHORS «QUEEN OLHA» AS A MODERN VERSION OF SPREADING UKRAINIAN CULTURE

  Denys Rudyi

  270-275

  • *pdf (Українська)
• CONTEMPORARY UKRAINIAN JAZZ ART IN THE CONTEXT OF POSTMODERN ARTISTIC THINKING

  Yulia Kostandova

  206-211

  • *pdf (Українська)
• PECULIARITIES OF TRANSCULTURAL PROCESSES OF FOLK STAGE CHOREOGRAPHY: INFLUSTION OF MOLDOVAN DANCE CULTURE IN CHOREOGRAPHIC MYSTICE IN UKRAINE

  Andrii Tymchula ; Olha Yatsenko

  275-280

  • *pdf (Українська)
• THE IMAGE OF THE MOTHER OF GOD IN MUSICOLOGICAL STUDIES OF THE 20TH AND FIRST DECADES OF THE 21 ST CENTURIES

  Olena Litvinenko

  281-286

  • *pdf (Українська)

SUMMARIES, REVIEWS, REPORTS

• PICTORIAL NARRATIVES OF UKRAINIAN PHOTOBOOKS DURING THE PANDEMIC OF COVID-19 (2020-2021)

  Robert Dovganych

  287-291

  • *pdf (Українська)
• CREATIVE ACTIVITY OF THE NATIONAL HONORED BANDURIST CAPELLA OF UKRAINE NAMED AFTER H.I. MAIBORODA IN THE SOCIO-HISTORICAL CONTEXT OF 2013-2024

  Sofiia Pron

  291-298

  • *pdf (Українська)
• THE AUTHOR'S INTERPRETATION OF THE DEEP MEANINGS OF CULTURE IN AN ARTISTIC AND POETIC CONTEXT [Rec. on the author's album «Blooming Ukraine» Iryna Kuzmytska and Olga Shkyra]. I. Kuzmytska. Flowered Ukraine: album / Iryna Kuzmytska, Olga Shkyra. 2nd edition. add. and processing Pereyaslav : Focus – Media, 2023. 31 p., fig.

  Tetiana Molderf

  298-302

  • *pdf (Українська)
• ETHNOMUSICOLOGY AND MUSICAL MEDIEVAL STUDIES AS COMPONENTS OF THE DISCIPLINES OF THE MUSICAL-HISTORICAL AND MUSICAL-THEORETICAL CYCLE IN THE SYSTEM OF MODERN HIGHER MUSICAL EDUCATION

  Tetiana Kaplun

  302-307

  • *pdf (Українська)
• TRENDS IN THE SYNTHESIS OF REGIONAL TEXTILE TRADITIONS AND INNOVATIONS IN THE WORKS OF MARTA AND IVANNA TOKAR

  Іryna Lokshuk

  307-313

  • *pdf (Українська)

DYNAMICS OF CULTURE. CULTURAL MEMORY. CULTURE AND TRADITIONS

• THE MOON, SPIRALS (SNAKES) AND THE GODDESS IN TRIPIL ORNAMENTS

  Yevhen Prychepiy

  315-326

  • *pdf (Українська)
• WORLD MUSEUMS : COMMUNICATION STRATEGIES AND IMAGE FORMATION

  Svitlana Havryliuk; Valentyna Nadolska

  327-333

  • *pdf (Українська)
• EVOLUTION OF THE IMAGE OF THE «OTHER» IN EUROPEAN ETHNOGRAPHIC MUSEUMS IN THE CONTEXT OF DECOLONIZATION

  Polina Verbytska

  334-340

  • *pdf (Українська)
• PROJECT MANAGEMENTANDGRANT ACTIVITY IN THE CLUB-TYPE CULTURAL INSTITUTIONS

  Зваричук Zvarychuk

  340-344

  • *pdf (Українська)
• CLERGY AND MUSEUMS IN THE WESTERN UKRAINE (XX th c. – 2024)

  Vitalii Bondarchuk

  345-354

  • *pdf (Українська)

PROBLEMS AND CONTRADICTIONS OF MODERN CULTURAL PROCESS

• FASHION COSTUME DURING THE RUSSIAN INVASION OF UKRAINE

  Antonina Kikot’ ; Anatolii Shcherban, Georgiy Pankov

  355-361

  • *pdf (Українська)
• CULINARY TELEVISION PROJECTS AS A BROADCASTER OF NATIONAL CULTURE

  Tetiana Kovalova

  361-369

  • *pdf (Українська)
• APPROACHES AND TRENDS OF VIDEO GAMES SUBCULTURES RESEARCH IN THE WESTERN SCIENTIFIC DISCOURSE AT THE TURN OF THE 20th – 21st CENTURY

  Olena Hubernator

  369-374

  • *pdf (Українська)
• CULTURAL DOMINANTS IN THE DEFINITIONMORAL AUTHORITIES OF SOCIETY

  Valentyna Diachuk

  374-381

  • *pdf (Українська)
• INFORMATION CULTURE IN THE CONTEXT OF GLOBAL TRENDS IN CONTEMPORARY SOCIETY

  Yurii Horban , Oksana Oliinyk

  382-389

  • *pdf (Українська)
• PROMOTION OF CULTURE IN THE DIGITAL ERA : BETWEEN EDUCATION AND ACCESSIBILITY

  Kateryna Darovanets

  389-393

  • *pdf (Українська)
• CULTURE, GLOBALIZATION AND PUBLIC RELATIONS: AS FOR THE QUESTION OF SOCIOCULTURAL DETERMINANTS OF THE BRANCH

  Tatiana Korzhova

  394-400

  • *pdf (Українська)
• MEDIOCRE, DIRECT AND INDIRECT IN CULTURE

  Vladyslav Petrenko

  400-406

  • *pdf (Українська)
• INDIVIDUAL CULTURAL PRACTICE IN THE SYSTEM OF SUBJECTIVITY TRANSFORMATION

  Oleksandr Vysotskyi

  406-410

  • *pdf (Українська)

CULTURE AND SOCIETY. CULTURE OF PROFESSIONAL SPHERE OF ACTIVITY

• ROLAND BART : ANALYZING HERITAGE

  Svitlana Kholodynska

  411-417

  • *pdf (Українська)
• THEORETICAL GUIDELINES OF UKRAINIAN CULTUROLOGY : EXPERIENCE OF 2020–2023

  Julia Sabadash ; Josef Nikolchenko

  417-424

  • *pdf (Українська)
• INSTITUTIONAL STRUCTURE OF SUBJECTS OF THE RESEARCH PROCESS IN UKRAINIAN BIBLIOLOGY

  Maryna Shatrova

  424-431

  • *pdf (Українська)
• SCIENTIFIC RESEARCH PRACTICES OF THE NATIONAL CENTER OF FOLK CULTURE «IVAN HONCHAR MUSEUM» IN THE CONDITIONS OF HYBRID THREATS

  Iryna Vilchynska ; Anna Sviatnenko , Roman Orlov

  431-438

  • *pdf (Українська)
• «SPATIAL OPTICS» IN THE REVISION OF HISTORICAL DYNAMICS OF MEDIATIZATION AND VISUALIZATION

  Rostyslav Fanahei

  438-443

  • *pdf (Українська)
• CULTURAL AND ARTISTIC PRACTICES OF PRESERVATION CULTURAL MEMORY OF KVITKA CISYK

  Marianna Holovkova

  438-450

  • *pdf (Українська)
• THE PHENOMENON OF ARTISTIC CREATIVITY: INTERIOR AND EXTERIOR DIMENSIONS

  Jiahui Huang

  450-456

  • *pdf (Українська)
• «BAYAN» – «BUTTON ACCORDION» : CORRELATION OF INSTRUMENT DESIGNATIONS IN EUROPEAN AND DOMESTIC TRADITIONS

  Bohdan Boiko

  456-461

  • *pdf (Українська)
• FLOWER SYMBOLISM IN CHINESE DANCE : A CULTURAL DIMENSION

  Tetiana Molderf; Tetiana Vilkhovchenko

  462-468

  • *pdf (Українська)
• FELICITAR MEDIA DISCOURSE IN THE CONTEXT OF FORMING THE AXIOLOGICAL SYSTEM OF MODERN SOCIETY IN PRE-WAR AND WARTIME

  Vilena Voronova

  469-478

  • *pdf (Українська)
• FEMALE ARCHETYPES IN THE ACTING CRAFT OF ADA ROHOVTSEVA

  Roman Kostin

  478-482

  • *pdf (Українська)
• THE MYTHOLOGICAL DIMENSION OF CULTURE IN THE CONTEXT OF THE METAMODERN WORLDVIEW

  Yuliia Shabanova

  483-490

  • *pdf (Українська)

DESIGN AS A CULTURAL PRACTICE

• UKRAINIAN PROVERBS ABOUT COSSACKS AS A DESIGN ELEMENT : TRANSMISSION OF THE CULTURAL CODE

  Ksenia Sizova ; Larysa Butko , Svitlana Fedorenko

  491-498

  • *pdf (Українська)
• SCULPTURAL PROJECTS IN THE PUBLIC SPACE OF LVIV IN 2022-2023: NEW FORMATS OF REPRESENTATION IN THE TIME OF WAR

  Anna Yefimova; Vasyl Odrekhivskyi

  499-503

  • *pdf (Українська)
• IMAGES OF KYIV IN ADVERTISING PRODUCTS AS A MEANS OF PROMOTING THE CITY

  Alla Osadcha

  504-511

  • *pdf (Українська)
• STREET STYLE IN UKRAINE : ORIGIN AND SPREADING FEATURES

  Yevhenii Kalkatov

  512-518

  • *pdf (Українська)
• ECOLOGICAL COMPATIBILITY AS A TREND IN THE DEVELOPMENT OF PRODUCT AND FURNITURE DESIGN IN UKRAINE (ON THE CASE OF THE «ARCHITECTURAL STUDIO OF SERGEI MAKHNO»)

  Yehor Titenkov

  519-524

  • *pdf (Українська)
• CHARACTERISTICS OF THE MILITARY STYLE TODAY FASHION INDUSTRY

  Anatoly Shemchuk

  524-529

  • *pdf (Українська)
• MAKE-UP AND MASK AS FIGURATIVE CONSTELLATIONS OF MODERN FASHION PRESENTATIONS

  Kateryna Maliarchuk

  529-536

  • *pdf (Українська)
• MAKE-UP AND MASK AS FIGURATIVE CONSTELLATIONS OF MODERN FASHION PRESENTATIONS

  Maksym Strelchuk

  536-541

  • *pdf (Українська)

MANAGEMENT OF SOCIO-CULTURAL ACTIVITIES IN THE STRUCTURE OF CULTURE

• SOCIO-CULTURAL POTENTIAL OF THE REGION THROUGH THE PRISM OF NEW CREATIVE FORMS

  Maryna Shpakovska ; Serhii Vytkalov

  542-549

  • *pdf (Українська)
• SPECIFICS OF THE IMPLEMENTATION OF THE LOCAL SELF-GOVERNMENT REFORM IN THE CONTEXT OF PRESERVING REGIONAL CULTURAL FEATURES

  Antonina Shvorak ; Volodymyr Vytkalov

  549-558

  • *pdf (Українська)