No. 34 (2020): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT

View No. 34 (2020): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT

DOI: https://doi.org/10.35619/ucpmk.v34i34

Published: 2020-12-23

Full Issue

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HISTORICAL AND ARTISTIC HERITAGE OF UKRAINE IN THE CONTEXT OF THE WORLD CULTURE

КУЛЬТУРНИЙ ПРОСТІР КРАЇНИ КРІЗЬ ПРИЗМУ НАУКОВОГО ПОШУКУ: до результатів проведення ХVІ міжнародної науково-практичної конференції «Україна першого двадцятиліття ХХІ століття: культурно-мистецький вимір»

Vladumur Vitkalov, Serhii Vitkalov

3-8
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ПРО СТВОРЕННЯ КАТАЛОГУ СЕРЕДНЬОВІЧНИХ МУЗИЧНИХ ІНСТРУМЕНТІВ ІЗ ТЕРИТОРІЇ УКРАЇНИ

Irina Zinkiv

9-18
SEMANTICS OF THE IMAGE OF THE BUll IN THE ART OF THE STONE AGE

Yaroslava Bondarchuk

24-36
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TRADE CONTACTS BETWEEN GALICIA-VOLHYNIA RUS AND CZECHIA FROM THE PERSPECTIVE OF INTERCULTURAL RELATIONS OF THE ХІ-ХІІІ CENTURIES

Oleh Chuyko

37-43
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PEDAGOGICAL SIGNIFICANCE «GRAMMAR OF MUSIC» BY MYKOLA DYLETSKYI

Kindratiuk Bohdan

43-50
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BAROQUENESS IN LITURGICAL MUSIC OF UKRAINE OF THE XVII–XVIII CENTURIES

Olga Sapozhnik

50-56
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GENRE-STYLE ASPECTS OF CHAMBER AND VOCAL WORKS OF N. METNER

Anna Dzhulay

56-60
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THE NATIONAL ETHOS OF POLISH MUSIC IN THE VIOLIN CONCERTS BY KAROL SZYMANOWSKI

Nataliia Samostrokova

63-69
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ROCK CULTURE OF IVANO-FRANKIVSK IN PRINTED SOURCES OF THE 1980 s

Nadiia Babii

70-75
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THE ROLE OF ETHNIC MOTIVES IN THE FORMATION OF MEANING IN CINEMA ON THE EXAMPLE OF THE MOVIES OF EMIR KUSTURICA AND AKHTEM SEITABLAEV

Eugeniya Moreva

75-81
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INTERPRETATION OF EUROPEAN MUSIC BY CHINESE SINGERS: GERMAN SONG LYRICS PERFORMED BY DILBER YUNUS

Zhu Ling

81-88
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AESTHETIC EVALUATION OF THE ACOUSTIC PROPERTIES OF CONCERT HALLS (ON THE EXAMPLE OF COMPARING THE SOUND OF MUSICAL WORKS)

Oleksandr Voitovych

88-93
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ІНСТИТУЦІЇ В МИСТЕЦТВІ : СВІТОВИЙ ДОСВІД

Anna Luhovska

100-106
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THE PROBLEM OF STYLE PIANO PARADIGM IN THE SPHERE OF SCIENCES ABOUT ART AND CULTURE TO CONTEMPORANEITY

Lilia Shevchenko

110-116
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SPECIFICS OF O. YAKOVCHUK’S POLYPHONIC CYCLE IN COMPARING THE CATEGORY «TRADITIONAL – INNOVATIVE»

Liutsiia Tsyhaniuk

116-124
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GLORIOUS-GLORIFICATION TRADITION OF EUROPEAN CHRISTIAN CULTURE

Anzhelika Tatarnikova

124-130
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THE EVOLUTION OF THE COURT MASQUE OF THE PERIOD OF THE ENGLISH REVOLUTION OF 1640-1660 AND THE RESTORATION OF THE STUART DYNASTY

Alla Sokolova

130-136
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GENESIS AND STAGES OF THE DIFFERENTIATION OF THE DANCING CULTURE ON THE WAY TO THE UKRAINIAN BALLET THEATER

Larysa Markevych

136-143
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MEN'S DANCE IN THE BALLET THEATER OF UKRAINE 50–60 S OF THE TWENTIETH CENTURY

Olena Karandieieva

143-149
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THE FIRST STEPS OF THE MODERN DANCE ON THE UKRAINIAN SCENE OF THE FIRST HALF OF THE XX CENTURE

Maryna Pogrebnyak

150-155
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ACTIVITIES OF THE FIRST UKRAINIAN MUSIC SCHOOL IN STANISLAV IN THE CONTEXT OF DEVELOPMENT PROFESSIONAL EDUCATION IN GALICIA

Lesia Romaniuk

155-160
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MUSICAL ARTIFACTS OF LVIV AT THE BEGINNING OF THE XX CENTURY IN THE JOURNALISM OF THE PRELATE OSTAP NYZHAKIVSKY

Ulyana Molchko

161-166
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MYKHAYLO BOYCHUK ARTIST ROUTS: LVIV PERIOD (1910–1914)

Nataliya Benyakh

166-173
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THE ROLE OF POLYCHROME PAINTINGS IN THE INTERIOR SPACE DESIGN OF CHURCHES (AS BASED ON THE EXAMPLE OF MONUMENTAL MURALS BY MODEST SOSENKO)

Violetta Radomska

173-180
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THE EVOLUTION OF PAINTING MANNER IN THE PORTRAITS OF ADALBERT ERDELYI

Anastasiia Strii

180-186
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GENRE OF REVUE IN THE ART OF THE UKRAINIAN DIASPORA: ORIGINS, CANON, NAMES, THEME

Nadiya Kukuruza

186-192
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DRAWING IN THE COLLECTION OF THE DNIPRO ART MUSEUM

Yuliya Maystrenko-Vakulenko

192-199
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THE ROLE OF IVANO-FRANKIVSK ARTISTS IN THE INTERNATIONAL BIENNIAL OF CONTEMPORARY ART «IMPREZA»

Khrystyna Domnych

199-206
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BALLET BY ANIKO REKHVIASHVILI «SNOW QUEEN» – PERFORMANCE FOR ADULTS AND CHILDREN

Liudmyla Khotsianovska

207-211
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CONCEPTUAL AND WORLD OUTLOOK BASES OF BALLET CRITICISM ALEXANDER CHEREPNIN

Alina Pidlypska

211-216
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IMAGE OF UKRAINIAN DANCE IN MASS MEDIA SPACE OF UKRAINE ON PERIOD OF INDEPENDENCE

Olha Boiko

217-221
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THE UKRAINIAN POP SONG IN THE MUSICOLOGICAL RESEARCH: SCIENTIFIC PANORAMA

Khrystyna Okhitva

221-226
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CONCEPTUAL VIEWS ON THE PHENOMENON OF STAGE SPACE IN D. LIDER CREATIVE SCHOOL

Anna Alisher

227-233
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CONCEPTUAL FIELD OF CHAMBER INSTRUMENTAL ENSEMBLE IN MUSICOLOGY

Bogdan Kysliak

233-239
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SOCIO-CULTURAL BASIS OF MODERN CHINESE CITIES' COMMERCIAL SIGN SYSTEM (THE CASE OF XUZHOU CITY)

Solomiya Chuchuk

239-244
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LACE COIFS IN FEMALE CLOTHING ON BOIKO REGION OF THE LATE XIX – EARLY XXI CENTURIES: LOCAL ARTISTIC FEATURES

Olena Kozakewycz

244-251
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DISCOURSES OF TOURIST MOBILITY IN THE CONTEXT OF SOCIO-CULTURAL PROCESSES

Stepan Dychkovskyy

251-260
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TRADITIONAL MUSICAL CULTURE OF CHERNIHIV REGION IN THE CONTEXT OF SOCIO-CULTURAL DYNAMICS OF THE XX–ХХІ CENTURY

Sviatoslav Ovcharenko

261-265
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MODERN INSTRUMENTAL PRACTICE: CULTURAL AND ARTISTIC ASPECT OF TRANSFORMATION CHANGES

Serhii Vitkalov, Vladumur Vitkalov

265-270
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THEORETICAL AND ARTISTIC ASPECTS OF THE UKRAINIAN CULTURE