Vol. 34 No. 34 (2020): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT Scientific journals Branch : Art Criticism

DOI: https://doi.org/10.35619/ucpmk.v34i34

Published: 2020-12-23

Full Issue

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HISTORICAL AND ARTISTIC HERITAGE OF UKRAINE IN THE CONTEXT OF THE WORLD CULTURE

• КУЛЬТУРНИЙ ПРОСТІР КРАЇНИ КРІЗЬ ПРИЗМУ НАУКОВОГО ПОШУКУ: до результатів проведення ХVІ міжнародної науково-практичної конференції «Україна першого двадцятиліття ХХІ століття: культурно-мистецький вимір»

  Vladumur Vitkalov, Serhii Vitkalov

  3-8

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• ПРО СТВОРЕННЯ КАТАЛОГУ СЕРЕДНЬОВІЧНИХ МУЗИЧНИХ ІНСТРУМЕНТІВ ІЗ ТЕРИТОРІЇ УКРАЇНИ

  Irina Zinkiv

  9-18

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• SEMANTICS OF THE IMAGE OF THE BUll IN THE ART OF THE STONE AGE

  Yaroslava Bondarchuk

  24-36

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• TRADE CONTACTS BETWEEN GALICIA-VOLHYNIA RUS AND CZECHIA FROM THE PERSPECTIVE OF INTERCULTURAL RELATIONS OF THE ХІ-ХІІІ CENTURIES

  Oleh Chuyko

  37-43

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• PEDAGOGICAL SIGNIFICANCE «GRAMMAR OF MUSIC» BY MYKOLA DYLETSKYI

  Kindratiuk Bohdan

  43-50

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• BAROQUENESS IN LITURGICAL MUSIC OF UKRAINE OF THE XVII–XVIII CENTURIES

  Olga Sapozhnik

  50-56

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• GENRE-STYLE ASPECTS OF CHAMBER AND VOCAL WORKS OF N. METNER

  Anna Dzhulay

  56-60

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• THE NATIONAL ETHOS OF POLISH MUSIC IN THE VIOLIN CONCERTS BY KAROL SZYMANOWSKI

  Nataliia Samostrokova

  63-69

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• ROCK CULTURE OF IVANO-FRANKIVSK IN PRINTED SOURCES OF THE 1980 s

  Nadiia Babii

  70-75

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• THE ROLE OF ETHNIC MOTIVES IN THE FORMATION OF MEANING IN CINEMA ON THE EXAMPLE OF THE MOVIES OF EMIR KUSTURICA AND AKHTEM SEITABLAEV

  Eugeniya Moreva

  75-81

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• INTERPRETATION OF EUROPEAN MUSIC BY CHINESE SINGERS: GERMAN SONG LYRICS PERFORMED BY DILBER YUNUS

  Zhu Ling

  81-88

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• AESTHETIC EVALUATION OF THE ACOUSTIC PROPERTIES OF CONCERT HALLS (ON THE EXAMPLE OF COMPARING THE SOUND OF MUSICAL WORKS)

  Oleksandr Voitovych

  88-93

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• ІНСТИТУЦІЇ В МИСТЕЦТВІ : СВІТОВИЙ ДОСВІД

  Anna Luhovska

  100-106

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• THE PROBLEM OF STYLE PIANO PARADIGM IN THE SPHERE OF SCIENCES ABOUT ART AND CULTURE TO CONTEMPORANEITY

  Lilia Shevchenko

  110-116

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• SPECIFICS OF O. YAKOVCHUK’S POLYPHONIC CYCLE IN COMPARING THE CATEGORY «TRADITIONAL – INNOVATIVE»

  Liutsiia Tsyhaniuk

  116-124

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• GLORIOUS-GLORIFICATION TRADITION OF EUROPEAN CHRISTIAN CULTURE

  Anzhelika Tatarnikova

  124-130

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• THE EVOLUTION OF THE COURT MASQUE OF THE PERIOD OF THE ENGLISH REVOLUTION OF 1640-1660 AND THE RESTORATION OF THE STUART DYNASTY

  Alla Sokolova

  130-136

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• GENESIS AND STAGES OF THE DIFFERENTIATION OF THE DANCING CULTURE ON THE WAY TO THE UKRAINIAN BALLET THEATER

  Larysa Markevych

  136-143

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• MEN'S DANCE IN THE BALLET THEATER OF UKRAINE 50–60 S OF THE TWENTIETH CENTURY

  Olena Karandieieva

  143-149

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• THE FIRST STEPS OF THE MODERN DANCE ON THE UKRAINIAN SCENE OF THE FIRST HALF OF THE XX CENTURE

  Maryna Pogrebnyak

  150-155

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• ACTIVITIES OF THE FIRST UKRAINIAN MUSIC SCHOOL IN STANISLAV IN THE CONTEXT OF DEVELOPMENT PROFESSIONAL EDUCATION IN GALICIA

  Lesia Romaniuk

  155-160

  • pdf (Українська)
• MUSICAL ARTIFACTS OF LVIV AT THE BEGINNING OF THE XX CENTURY IN THE JOURNALISM OF THE PRELATE OSTAP NYZHAKIVSKY

  Ulyana Molchko

  161-166

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• MYKHAYLO BOYCHUK ARTIST ROUTS: LVIV PERIOD (1910–1914)

  Nataliya Benyakh

  166-173

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• THE ROLE OF POLYCHROME PAINTINGS IN THE INTERIOR SPACE DESIGN OF CHURCHES (AS BASED ON THE EXAMPLE OF MONUMENTAL MURALS BY MODEST SOSENKO)

  Violetta Radomska

  173-180

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• THE EVOLUTION OF PAINTING MANNER IN THE PORTRAITS OF ADALBERT ERDELYI

  Anastasiia Strii

  180-186

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• GENRE OF REVUE IN THE ART OF THE UKRAINIAN DIASPORA: ORIGINS, CANON, NAMES, THEME

  Nadiya Kukuruza

  186-192

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• DRAWING IN THE COLLECTION OF THE DNIPRO ART MUSEUM

  Yuliya Maystrenko-Vakulenko

  192-199

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• THE ROLE OF IVANO-FRANKIVSK ARTISTS IN THE INTERNATIONAL BIENNIAL OF CONTEMPORARY ART «IMPREZA»

  Khrystyna Domnych

  199-206

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• BALLET BY ANIKO REKHVIASHVILI «SNOW QUEEN» – PERFORMANCE FOR ADULTS AND CHILDREN

  Liudmyla Khotsianovska

  207-211

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• CONCEPTUAL AND WORLD OUTLOOK BASES OF BALLET CRITICISM ALEXANDER CHEREPNIN

  Alina Pidlypska

  211-216

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• IMAGE OF UKRAINIAN DANCE IN MASS MEDIA SPACE OF UKRAINE ON PERIOD OF INDEPENDENCE

  Olha Boiko

  217-221

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• THE UKRAINIAN POP SONG IN THE MUSICOLOGICAL RESEARCH: SCIENTIFIC PANORAMA

  Khrystyna Okhitva

  221-226

  • pdf (Українська)
• CONCEPTUAL VIEWS ON THE PHENOMENON OF STAGE SPACE IN D. LIDER CREATIVE SCHOOL

  Anna Alisher

  227-233

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• CONCEPTUAL FIELD OF CHAMBER INSTRUMENTAL ENSEMBLE IN MUSICOLOGY

  Bogdan Kysliak

  233-239

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• SOCIO-CULTURAL BASIS OF MODERN CHINESE CITIES' COMMERCIAL SIGN SYSTEM (THE CASE OF XUZHOU CITY)

  Solomiya Chuchuk

  239-244

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• LACE COIFS IN FEMALE CLOTHING ON BOIKO REGION OF THE LATE XIX – EARLY XXI CENTURIES: LOCAL ARTISTIC FEATURES

  Olena Kozakewycz

  244-251

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• DISCOURSES OF TOURIST MOBILITY IN THE CONTEXT OF SOCIO-CULTURAL PROCESSES

  Stepan Dychkovskyy

  251-260

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• TRADITIONAL MUSICAL CULTURE OF CHERNIHIV REGION IN THE CONTEXT OF SOCIO-CULTURAL DYNAMICS OF THE XX–ХХІ CENTURY

  Sviatoslav Ovcharenko

  261-265

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• MODERN INSTRUMENTAL PRACTICE: CULTURAL AND ARTISTIC ASPECT OF TRANSFORMATION CHANGES

  Serhii Vitkalov, Vladumur Vitkalov

  265-270

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THEORETICAL AND ARTISTIC ASPECTS OF THE UKRAINIAN CULTURE

• АРХЕОЛОГІЧНІ МУЗИЧНІ ІНСТРУМЕНТИ З ТЕРИТОРІЇ УКРАЇНИ В КОНТЕКСТІ СИНХРОННОГО ІНСТРУМЕНТАРІЮ ДАВНІХ ЦИВІЛІЗАЦІЙ СВІТУ

  Olga Olijnyk

  • pdf (Українська)
• CONCEPTUALIZATION OF WEB DESIGN IN ART DISCOURSE: THEORETICAL COMPREHENSION

  Ruslana Bezuhla

  94-100

  • pdf (Українська)
• THE HYBRID ORIGIN OF THE ARTISTIC NATURE VIDEO HOSTING'S AS A NEW GENRE FORM OF AUDIOVISUAL CULTURE

  Olga Musiienko

  105-110

  • pdf (Українська)