Vol. 46 (2023): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT Scientific journals Branch : Art Criticism

DOI: https://doi.org/10.35619/ucpmk.v46i

Published: 2023-12-16

Full Issue

• pdf (Українська)

from the compiler

• SCIENTIFIC PROFESSIONAL PROBLEMS IN HIGH SCHOOL IN THE CONDITIONS OF WAR

  Volodymyr Vytkalov; Serhii Vitkalov

  3-7

  • pdf (Українська)

HISTORICAL AND ARTISTIC HERITAGE OF UKRAINE IN THE CONTEXT OF THE WORLD CULTURE

• STYLE CREATING PRINCIPLES OF FORMS OF SILVER AND PORCELAIN VESSELS OF THE 18 th – 19 th CENTURIES

  Tetiana Krotova ; Oleksandr Kriuk

  8-12

  • pdf (Українська)
• MUSICAL THEATER OF THE VICTORIAN ERA : HISTORICAL AND CULTUROLOGICAL ASPECT

  Anzhelyka Tatarnikova

  12-16

  • pdf (Українська)
• EXPLORING THE EVOLUTION OF JADE ARTIFACTS DURING THE TANG DYNASTY: A STUDY IN HISTORY, ETHNOGRAPHY, AND TYPOLOGY

  Xiao Zhou

  17-23

  • pdf (Українська)
• COOPERATION OF LEV GETS WITH THE ASSOCIATION OF INDEPENDENT UKRAINIAN ARTISTS 1931-1939

  Iryna Gakh

  23-30

  • pdf (Українська)
• ACTIVITIES OF THE GALICIAN MILITARY ORCHESTRAS AS THE EMBODIMENT OF THE UKRAINIAN NATIONAL IDEA (END OF XIX — FIRST THIRD OF XX CENTURY)

  Iryna Martynova

  30-36

  • pdf (Українська)
• SYNTHESIS OF CHINESE AND EUROPEAN MUSICAL TRADITION IN HUANG JI'S COMPOSITIONAL INTERPRETATION OF POEMS BY ANCIENT CHINESE POETS

  Xiong Chengjian

  36-42

  • pdf (Українська)
• THE FUSION OF CHINESE AND WESTERN CULTURES IN HE MA JADE PRODUCTS : HISTORICAL BACKGROUND, STYLISTIC FEATURES AND SOURCES OF FORMS

  Lada Tsymbala , Xiao Zhou

  42-49

  • pdf (Українська)
• EDWARD ELGAR’S MARCH NO. 1, OP. 39 IN THE INTERPRETATION OF LONG YU : COMPARATIVE ASPECTS

  Yinuo Geng

  49-56

  • pdf (Українська)
• POETICS OF CHILDREN'S OPERA IN THE CONTEXT OF NATIONAL «MODELS» OF EUROPEAN CULTURE OF THE XIX-XX CENTURIES

  Anna Dzhulay

  57-62

  • pdf (Українська)
• YOUTH CONCERTOS IN UKRAINIAN DOMRA MUSIC: TYPOLOGICAL FEATURES AND INDIVIDUAL CHARACTERISTICS

  Alina Prokopenko

  63-71

  • pdf (Українська)
• AXIOLOGICAL REINTERPRETATION OF THE BALLET HERITAGE

  Olena Kravchuk

  71-77

  • *pdf (Українська)
• THE GERMAN CHORAL MOVEMENT OF THE EARLY TWENTY-FIRST CENTURY: THE REGIONAL DIMENSION

  Oleg Vasiuta

  77-84

  • *pdf (Українська)
• UNIVERSALISM OF THE ACTIVITIES OF BORYS BEREST IN THE CONTEXT OF PROFESSIONALIZATION OF THE ART OF SPEECH IN THE UKRAINIAN DIASPORA

  Nadiya Kukuruza

  85-92

  • *pdf (Українська)
• DEVELOPMENT OF CHINESE PIANO EDUCATION: HISTORY AND PERSPECTIVES.

  Xi Fu

  205-210

  • pdf (Українська)

THEORETICAL AND ARTISTIC ASPECTS OF THE UKRAINIAN CULTURE

• GENRE-STYLE CHARACTERISTICS OF «FOLK SONGS FOR ORCHESTRA» BY HUANG RUO

  Kailiang Huang

  92-100

  • *pdf (Українська)
• LEONARD BERNSTEIN'S «CHICHESTER PSALMS» AS AN EXAMPLE OF RETHINKING THE GENRE INVARIANT

  Artem Оleksiienko

  100-107

  • pdf (Українська)
• PREMIERE CONCERTS OF THE ACADEMIC SYMPHONIC ORCHESTRA OF TERNOPIL REGIONAL PHILHARMONIC AS A SOURCE OF CREATIVE INSPIRATION FOR THE CITY'S MUSIC COMMUNITY

  Mariia Vodiana ; Myron (Myroslav) Krill

  107-114

  • pdf (Українська)
• SPECIFICITY OF NATIONAL STYLE AND MODERN CONCEPTS IN THE SYMPHONIC GENRE KAZAKHSTAN MUSIC OF THE XX-XXI CENTURIES

  Inesh Kdyrova ; Oleksandr Myroshnychenko

  114-119

  • *pdf (Українська)
• SUITE IN C FOR TWO PIANOS BY BOGDANA FROLIAK : PERFORMANCE AND INTERPRETATION ANALYSIS

  Natalia Zubko

  119-123

  • *pdf (Українська)
• PRINCIPLES OF MASTERING THE PERFORMING UNIVERSALISM OF A MODERN TRUMPETER IN THE CONTEXT OF USING DEVICES AND INSTRUMENTS

  Oleg Kontsevych

  123-130

  • pdf (Українська)
• CONTRIBUTION OF THE STUDENTS OF PROFESSOR LIYUSHENG'S CLASS IN THE DEVELOPMENT OF THE SIXHUAN SAXOPHONE SCHOOL

  Pang Botian

  131-135

  • pdf (Українська)
• OETRY OF LESYA UKRAINKA AS A MODERNISM ADEPT IN THE DISCOURSE OF THE CONCEPTUAL SPHERE OF UKRAINIAN ACADEMIC SONG

  Tetyana Zadorozna

  135-141

  • pdf (Українська)
• VARIETY SPECIFICITY OF FEMALE ENSEMBLE PERFORMANCE IN UKRAINE

  Mariia Martyniuk

  141-146

  • pdf (Українська)
• FEATURES OF PRESENTING TRADITIONAL SPIRITUAL SONG CONTENT ON THE «YOUTUBE» PLATFORM

  Halyna Yatsenko

  146-153

  • pdf (Українська)
• PROSPECTS OF ARTIFICIAL INTELLIGENCE USEIN PROFESSIONAL MUSIC EDUCATION

  Oleksandr Kalustian , Mariia Ostapchuk-Budz ; Mariia Kovleva

  153-158

  • *pdf (Українська)
• ANIMATION AS A SPECIFIC CULTURAL PRODUCT IN THE ARTISTIC PRACTICE OF UKRAINE

  Oleksandr Stashuk, Mykhailo Stashuk

  159-166

  • pdf (Українська)
• CULTURAL AND HISTORICAL CONNOTATIONS IN MONUMENTS AND MEMORIALS OF UKRAINE 2000-2021

  Anna Yefimova , Oleksandr Honchruk

  166-171

  • pdf (Українська)
• THE SYMBOLIC SIDE OF THE «TRANSFIGURATION OF JESUS» ICON IN THE CONTEXT OF HESYCHASTIC ANTHROPOLOGY

  Olena Osadcha

  171-184

  • pdf (Українська)
• THE METHOD OF ARTISTIC APPROPRIATION IN THE CONTEXT OF PAINTING IN LEVKAS, UKRAINE AT THE END OF THE XX – BEGINNING OF THE XXI CENTURY

  Nataliia Derihuz

  184-192

  • pdf (Українська)
• THE CREATIVE HERITAGE OF THE SCULPTOR JOHN GEORG PINSEL BY CHRONOLOGY

  Kateryna Eniushina

  192-198

  • *pdf (Українська)
• SPECIFICITY OF THE TRANSCRIPTION AND INTERPRETATION OF FRENCH LUTE MUSIC OF THE BAROQUE ERA FOR BANDURA

  Marta-Margareta Storonianska

  198-205

  • pdf (Українська)

SUMMARIES, REVIEWS, REPORTS

• PRESERVATION OF DEZYDER MYLLYI ARTISTIC WORKS IN THE STRUCTURE OF THE MUSEUM OF UKRAINIAN CULTURE IN SVIDNÍK (SLOVAKIA)

  Olga Fabryka-Protska

  211-216

  • pdf (Українська)
• SPATIAL IDEAS OF SUPREMATISM: FROM PLANE TO VOLUME

  Inna Prokopchuk

  216-226

  • pdf (Українська)
• TRADITIONAL UKRAINIAN PAINTINGS IN THE DECORATION OF PORCELAIN AND FAIENCE OF THE SECOND HALF OF THE XX CENTURY

  Alla Rudenchenko , Ganna Kriukova

  227-230

  • pdf (Українська)
• ART TILES OF THE 1920-30S FROM A PRIVATE COLLECTION ANDRII’S KAMENSHCHYK

  Halyna Koman

  230-237

  • pdf (Українська)
• ORIENTAL CARPETS IN THE FINE ARTS OF EUROPE DURING THE MIDDLE AGES

  Ulyana Belnakita

  238-243

  • pdf (Українська)
• ТO THE PROBLEM OF RESEARCHING THE MUSICAL CULTURE OF VINNYTSIA [recension on the book: Kushka Natalia. Musical Vinnytsia Vinnytsia: Vinnytsia City Printing Company LLC, 2020. 480 pp.].

  Tetiana Sidletska

  243-245

  • pdf (Українська)
• ART DOCTORAL PROGRAMS: FOREIGN EXPERIENCE

  Maiia Rzhevska

  245-252

  • pdf (Українська)
• GENERAL QUESTIONS IMPROVEMENT OF FOLK MUSICAL INSTRUMENTS WITHIN THE ACTIVITIES OF THE UKRAINIAN FOLK INSTRUMENT ORCHESTRA

  Victor Tsytsyriev

  252-260

  • pdf (Українська)

DYNAMICS OF CULTURE. CULTURAL MEMORY. CULTURE AND TRADITIONS

• DETERMINANTS OF THE INFLUENCE OF OPTICAL RADIATION OF VISUAL RANGE ON THE LIGHT ENVIRONMENT IN THE CONTEXT OF ITS DESIGN

  Lidiia Koval

  261-265

  • pdf (Українська)
• NATIONAL AND POLITICAL MODIFICATION OF THE SACRED IN THE GRAFFITI OF THE TIMES RUSSIAN-UKRAINIAN WAR (2014-2023)

  Mary Chikarkova

  265-269

  • pdf (Українська)
• TEXTILE ARTS AS A MEANS OF EXPRESSING ARTISTIC REFLECTIONS ON THE EVENTS AND CONSEQUENCES OF THE WAR: UKRAINIAN AND FOREIGN EXPERIENCE

  Daria Lutsyk

  270-275

  • pdf (Українська)
• LVIV INTERPRETATIONS OF THE ARTISTIC IMAGE OF THE BOOK

  Viktoriia MULKOKHAINEN

  275-280

  • pdf (Українська)
• ARTISTIC AND STYLISTIC FEATURES ITALIAN FUTURISM IN DESIGN

  Yurii Kantarovskiy , Inna Prokopchuk

  281-287

  • pdf (Українська)
• DESIGN AS A MECHANISM AND CATALYST FOR SOCIO-CULTURAL TRANSFORMATIONS

  Anastasiia Tormakhova , Oksana Rykhlitska , Dmytro Tovmash

  288-293

  • pdf (Українська)
• INITIATIVE CONCEPTUAL PROJECT «BEZPEKA». СOLLECTIVE ORGANIZATION OF THE EDUCATIONAL PROCESS OF THE SPECIALTY 022 DESIGN IN O.M. BEKETOV NUUEKH

  Nataliia Vergunova , Sergey Vergunov

  294-300

  • pdf (Українська)