CONCEPTUAL FIELD OF CHAMBER INSTRUMENTAL ENSEMBLE IN MUSICOLOGY

Abstract

An overview of publications considering the concept of a chamber instrumental ensemble and its separate components examined from the different points of view and aspects of musicology is given. The chronological analysis and analysis of the concept of «chamber instrumental ensemble» in the context of its appearance at different periods of time are carried out. The list of concepts used in domestic and foreign musicology concerning the chamber instrumental ensemble is сonsidered. The existence of the terms «ensemble» and «chamber» in the context of bayan performance is analyzed.