STAGE SPACE: PROBLEMS OF TERMINOLOGY IN SCIENTIFIC RESEARCH

Abstract

Stage space as a universal of artistic culture in the context of the conceptual apparatus of contemporary art criticism is investigated.

In order to conceptualize the notion of stage space, an analysis of its epistemological instruments was carried out, in particular: cultural space, space of culture, artistic space, theater space, theater space, stage space, play activities, stage space design, set design, and the notion of theatricality.

As a result, it is determined that the stage space is a certain location in space and time within which the process of creation and perception by the viewer of a work of performing art takes place.