Vol. 38 (2021): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT

HISTORICAL AND ARTISTIC HERITAGE OF UKRAINE IN THE CONTEXT OF THE WORLD CULTURE

• UNIVERSALISM OF THE SPIRITUAL MUSIC OF THE BRITISH COMPOSER JOHN RUTTER

  Alla Sokolova

  3-9

  • *pdf (Українська)

• «ZAZA» R. LEONCOVALLO IN THE ROOM OF TRADITION VERISTA MUSIC THEATER

  Anna Dzhulay

  9-15

  • *pdf (Українська)

• «UKRAINIAN BELL RINGING» OF CARILLON AND BANDURA : RESULTS OF THE ALL-UKRAINIAN ART PROJECT

  Violetta Dutchak

  16-22

  • *pdf (Українська)

• SPECIFICS AND REGIONAL FEATURES OF THE VOCAL COMPETITIONAND CHOIRS NAMED AFTER SOLOMIYA KRUSHELNYTSKA IN TERNOPIL

  Uliana Sherstii , Bohdan Vodianyi

  23-31

  • *pdf (Українська)

• SOLOMIYA KRUSHELNYTSKA’S CONTRIBTUION TO UKRAINIAN AND WORLD MUSICAL AND THEATRICAL ART

  Lesia Turchak

  31-39

  • *pdf (Українська)

• ODARKA BANDRIVSKA’S ARTISTIC HERITAGE IN CREATIVE-PERFORMING PRACTICE

  Oksana Bobechko

  39-45

  • *pdf (Українська)

• MODIFICATION OF THE CITY THEME IN THE VISUAL ART OF WESTERN UKRAINE IN THE SECOND HALF OF THE TWENTIETH CENTURY

  Надія Бабій

  45-51

  • *pdf (Українська)

• MILITARY THEMES IN THE NEW CHINESE NIANHUA OF THE LATE XIX - EARLY XX CENTURY

  Zhao Zhehgguan

  51-58

  • *pdf (Українська)

• ARTISTIC AND COMPOSITIONAL PRINCIPLES OF THE ADVERTISING POSTER OF THE FIRST DECADES OF THE XXI CENTURY

  Julia Kravchuk

  58-63

  • *pdf (Українська)

• TO THE ANALYSIS OF ARTISTIC SEMIOTICS IN ETHNOCULTURE

  Volodymyr Lychkovakh

  64-70

  • *pdf (Українська)

• PHILOSOPHICAL METHODOLOGY IN MODERN MUSIC SCIENTIFIC RESEARCH

  Natalia Shvets

  70-75

  • *pdf (Українська)

• CANNON AND STYLE IN SACRED ART (BASED ON THE WORKS OF GK WAGNER)

  Vitalii Kozinchuk , Mykola Pavliuk

  75-82

  • *pdf (Українська)

• THE PSYCHOLOGICAL PRINCIPLES OF INTONATION: A LOOK IN THE MUSIC SCIENCES HISTORY

  Viktoriia Kashaiuk ; Nadiia Pavliuk; Larysa Ihnatova

  82-87

  • *pdf (Українська)

• UKRAINIAN ACADEMIC SONG IN THE MODERN SOCIO-CULTURAL SPACE

  Bohdan Vodianyi ; Tetiana Zadorozhna

  88-94

  • *pdf (Українська)

• TERM SYSTEM OF THE LATEST METHODS OF CREATING AN ART FORM IN VIRTUAL REALITY

  Kateryna Shyman

  95-100

  • *pdf (Українська)

• NATIONAL MENTALITY AND IDENTITY IN MUSIC : DEFINITIONS AND CORRELATION OF THIS CONCEPTS

  Khrystyna Okhitva

  101-106

  • *pdf (Українська)

• HISTORIOGRAPHY OF THE STUDY ON ART WORKS OF THE CHINESE ARTIST-CERAMIST GU JINGZHOU (END OF XX – BEGINNING OF XXI CENTURY)

  Yang Jie

  106-112

  • *pdf (Українська)

• CREATING A MODEL OF A SPATIAL SOUND IMAGE (ON THE EXAMPLE OF A CONCERT HALL)

  Oleksandr Voitovych

  113-117

  • *pdf (Українська)

• TRENDS IN THE DEVELOPMENT OF BALLROOM CHOREOGRAPHY IN NORTH AMERICA, LATE XIX – EARLY XXI CENTURY

  Tetiana Pavliuk

  118-127

  • *pdf (Українська)

• WORKS OF I. STRAVINSKY IN BALLET: CHRONOLOGY AND TYPOLOGY

  Volodymyr Grek , Tetyana Lugovenko

  127-131

  • *pdf (Українська)

• FEATURES OF MODERN DANCE IN MODERN BALLET AREA

  Anna Khmelova

  132-138

  • *pdf (Українська)

• AESTHETICS OF UKRAINIAN FOLK TRADITIONAL DANCE : SEMIOTIC APPROACH

  Zhao Ruixue, Valentyna Vodiana

  139-145

  • *pdf (Українська)

• SYNTHESIS OF MARTIAL AND CHOREOGRAPHIC ARTS. SPECIFICS OF INTERACTION

  Iryna Mostova

  145-150

  • *pdf (Українська)

• UKRAINIAN THEATER ON THE WAY TO ITS OWN IDENTITY: HISTORICAL PREREQUISITES, CHALLENGES AND PROSPECTS

  Yuriy Melnychuk

  151-158

  • *pdf (Українська)

• STAGE RECEPTIONS OF V. VYNNYCHENKO'S WORKS AT THE END OF THE XX – IN THE FIRST TWO DECADES OF THE XXI CENTURY

  Marina Soroka

  158-164

  • *pdf (Українська)

• DIRECTING AND ORGANIZATIONAL ACTIVITY OF STANISLAV MOYSEV IN THE CONTEXT OF THE REFORM OF THE KYIV ACADEMIC YOUTH THEATER

  Natalia Sokolenko

  164-168

  • *pdf (Українська)

• UKRAINIAN THEATER THROUGH THE PRISM OF A REGIONAL SPECTATOR

  Serhii Vytkalov

  169-173

  • *pdf (Українська)

• VEKTORS OF THE COMPOSER STYLE AND THE PERFORMING SCHOOL OF VIKTOR VLASOV (on the occasion of the 85-th anniversary of the composer's birth)

  Myron Сherepanyn, Maryna Bulda

  176-183

  • *pdf (Українська)

• CREATIVE ACTIVITY OF LARYSA ATAMANCHUK IN THE CONTEXT OF BANDURA PERFORMANCE OF TERNOPIL REGION

  Mariia Yevhenieva

  183-189

  • *pdf (Українська)