THE JOURNAL UKRAINIAN THEATRE AS A MIRROR OF FESTIVAL LIFE IN THE UKRAINIAN SSR : CRITICAL DISCOURSE OF THE 1970–1980 s

Abstract

Between 1970 and 1990, the Ukrainian theatre journal Ukrainskyi Teatr published 40 articles related to theatre festivals, with only half offering in-depth analysis. A noticeable increase in coverage occurred after 1980. The content reflected not just artistic developments but also the role of festivals in Soviet cultural policy, which emphasized ideological education and international socialist solidarity.
Festivals were organized primarily by state institutions such as the Ministry of Culture of the Ukrainian SSR and the Ukrainian Theatre Society. They were categorized into several types: festivals of national dramaturgy, republican and all-Union festivals celebrating Soviet anniversaries, international festivals (mostly within the socialist bloc), and events focused on specific genres like puppetry or youth theatre. Puppet theatre festivals, perceived as ideologically «safer», received relatively greater international exposure and media coverage.
The journal highlighted Ukrainian participation in major international festivals, such as the Avignon Festival in France, the UNIMA puppet theatre congresses, and the Festival of the Nations in Nancy. Reviews often praised the artistic diversity and intercultural dialogue present at these events. Articles featured first-hand reports from directors and critics, such as S. Danchenko, Y. Bohdashevsky, A. Poliakov, H. Sherman analyzing trends in contemporary theatre, innovative staging techniques, and the public9s response.
Despite travel restrictions, Soviet theatre professionals increasingly participated in international events during the 1980  s. This reflected a gradual easing of ideological control and growing interest in showcasing Soviet artistic achievements abroad. These festivals served as both a stage for cultural diplomacy and a platform for creative experimentation.