PECULIARITIES OF TRANSCULTURAL PROCESSES OF FOLK STAGE CHOREOGRAPHY: INFLUSTION OF MOLDOVAN DANCE CULTURE IN CHOREOGRAPHIC MYSTICE IN UKRAINE

Abstract

The purpose of the article is to reveal the influence of Moldovan dance culture on Ukrainian choreographic art through the prism of the peculiarities of transcultural processes of folk stage choreography.
Research methodology. An interdisciplinary approach is applied, according to which both general scientific (method of analysis and synthesis, historical, systematic, comparative method, etc.) and specially scientific (cultural and art history) research methods (cultural genre-stylistic, art history analysis, etc.) are involved.
Scientific novelty. The peculiarities of the influence of the Moldovan dance culture on the choreographic art in Ukraine through the prism of the peculiarities of transculturalism of folk-stage choreography are studied. Choreographic productions presented in the repertoire of Ukrainian folk dance ensembles were analyzed and it was established that the
appeal of modern choreographers-stagers to Moldovan dance culture takes place in several directions: the creation of choreographic compositions using individual elements characteristic of the vocabulary of Ukrainian and Moldovan folk dance; production of folk-stage compositions, which are completely based on the vocabulary of Moldovan folk dance,
original choreographic compositions, in which the performers represent unique modern stylizations of authentic Moldovan folk dance in combination with elements of various styles of choreographic art. The activity of folk dance groups of the Moldovan ethnic group of Ukraine was considered and their contribution to the development of intercultural interaction was revealed.
Practical significance. The material expands information about the development of folk stage choreography in Ukraine at the current stage through the prism of the phenomenon of transculturalism.