THE TOPIC OF LOVE IN SONG CULTURE: SPECIFICS AND TYPOLOGY

Abstract

The systematization of pop-song creativity on the theme of love, taking into account its specificity and typology, is proposed. The conditions for the existence of vocal works in the dynamics of semantic changes in mass culture are considered. The textual, harmonic, melodic features of pop songs on the theme of love are analyzed and their characteristic common features and internal differences are revealed. It was found that pop and songwriting on the theme of love, in its symbolic content, tends to create a conceptual communication space, which, under the conditions of a certain cultural and historical period, embodies coded information about the values and views of society on human relations.