CONCEPTUAL AND CATEGORICAL PROVISION OF FUTURISTIC THEORY AS M. SEMEN’KO’S ORIGINAL DISCOVERY

Abstract

The process of new concepts and categories application in M. Semen’ko’s theoretical works is recreated. The author protected the necessity of creating independent conceptual and categorical framework for formal and logical validity of futuristic aesthetic and artistic platform. Introduction of concepts ‘destruction’, ‘texture’ and ‘construction’ is reflected on. It required, on the one hand, their justification and gradual conceptualization, on the other hand, correlation with widely accepted system of aesthetic and arts definitions of fiction work, i.e. contents, form, image, style, composition.