THE SPECIFICITI OF PROCESSING OF THE POETIC TEXST BY COMPOSER OF V. STEPURKO

DOI: https://doi.org/10.35619/ucpmk.vi30.200
Keywords: glorification, timbre of singing, opera, bass semantics, «Prince Igor» by A. Borodin

Abstract

The article demonstrates the presentation in Ukrainian art and cultural studies of information about the timbre strategy and the general construction of the opera Prince Igor in accordance with the author's attitudes and scientific foresight of the modern sense of understanding the events of the Word of Igor's Campaign in the composition of A. Borodin.

Author Biography

Yaroslava Bardashevska , Educational-scientific institute of Arts of the Vasil Stefanyk Рrecarpathian National University, Ivano-Frankivsk

Candidate of Art Criticism, Associate Professor at the department of methodology of musical education and
conducting

Published
2020-03-10
Issue
No. 30 (2019): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT Scientific journals Branch : Art Criticism
Section
THEORETICAL AND ARTISTIC ASPECTS OF THE UKRAINIAN CULTURE