THE MUSICAL LANGUAGE OF MYKHAILO VERBYTSKYI IN THE CHAMBER-VOCAL CYCLE «SECULAR SONGS FOR MALE QUARTETS»

Abstract

Purpose of the research. The aim of this study is to identify the stylistic features of Mykhailo Verbytskyi’s musical language within the genre of chamber-vocal music. The research focuses on the composer’s cycle «Secular Songs for Male Quartets», which includes 24 compositions, primarily set to the poetry of Ivan Hushalevych.
Methodological basis. The methodology includes a combination of genre-stylistic analysis, structural-functional approach, and comprehensive musicological examination of the musical material, focusing on melodic development, harmonic language, and form-building techniques. Scientific novelty. The novelty of this research lies in the detailed structural and expressive analysis of Verbytskyi’s vocal music, particularly his secular works for male quartets, which have been insufficiently studied in Ukrainian musicology. The research provides insight into the interaction between poetic text and musical content, as well as identifies stylistic tendencies characteristic of the composer’s creative period.
Main findings. The analysis of the songs «Do Zori», «Myr Rusynam», and «Vdovets» shows Verbytskyi’s mastery of lyrical expression, form construction, and tonal variation. His use of diatonic and chromatic melodic lines, expressive harmonies (including double diminished chords and altered dominants), and strict poetic rhythm alignment demonstrates his sensitivity to emotional depth and poetic imagery. The form is dominated by binary, strophic, and concentric (ABCBA) structures, emphasizing emotional arcs and dramatic contrast. The composer’s use of voice leading and texture in SATB male quartet format enhances the interpretative clarity and vocal balance. Conclusions.
Verbytskyi’s «Secular Songs for Male Quartets» represent a significant contribution to the Ukrainian vocal repertoire of
the 19 th century. His musical language reflects the aesthetics of Biedermeier and early Romanticism, combining
accessible melodic lines with emotionally rich harmonic structures. These works not only reveal the composer’s artistic
identity but also embody the cultural and patriotic spirit of the Ukrainian people.
Prospects for further research lie in expanding the analysis to other vocal and choral works by Verbytskyi, comparative studies with his contemporaries, and further exploration of poetic-musical synthesis in Ukrainian Romantic repertoire.