No. 36 (2020): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT Scientific journals Branch : Art Criticism

DOI: https://doi.org/10.35619/ucpm.vi36

Published: 2021-05-09

Full Issue

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• FORMS OF POSITIONING OF SCIENTIFIC AND PEDAGOGICAL WORKERS IN THE SPACE OF HIGH SCHOOL: CULTURAL AND ARTISTIC DIMENSION

  Vladumur Vitkalov

  3-6

  • pdf (Українська)
• ESTABLISHMENT OF APPLIED ANATOMY IN THE ROYAL ACADEMY OF PAINTING AND SCULPTURE IN FRANCE

  Anastasiia Melnychuk

  7-15

  • pdf (Українська)
• GRAPHIC SAMPLES AS SOURCES OF INSPIRATION FOR MONUMENTAL ARTISTS OF EASTERN GALICIA IN THE SECOND HALF OF THE XVII CENTURY

  Yaryna Lysun

  15-20

  • pdf (Українська)
• ARTISTIC PROCESSES IN THE ACTIVITIES OF DANCE STUDIOS IN KIEV 1910-1920 S

  Uliana Danyliuk

  21-27

  • pdf (Українська)
• KAROL SZYMANOWSKI’S СREATIVITY IN THE MUSICAL LIFE OF LVIV IN THE FIRST THIRD OF THE XX th CENTURY

  Olga Striletska

  27-34

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• DRAWINGS AND ENGRAVINGS OF THE SECOND HALF OF THE 19TH CENTURY - the 1960 S WITH VIEWS OF KAMIANETS-PODILSKYI AS A SOURCE OF ICONOGRAPHY OF THE TOWN (BASED ON POSTCARD MATERIALS)

  Iryna Paur

  34-40

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• THE COSSACK THEME IN THE UKRAINIAN FOLK STAGE CHOREOGRAPHY 1950-1980 AS A MEANS OF TRANSLATION OF ETHNOCULTURAL IDENTITY

  Irina Klymchuk

  41-45

  • pdf (Українська)
• ACTORS IN ROLES. SKETCHES OF UKRAINIAN ARTISTS OF THE FIRST THIRD OF THE ХХ CENTURY.

  Юлія Майстренко-Вакуленко

  45-51

  • pdf (Українська)
• SCENE SCHOOLS OF UKRAINE OF THE ХХ TH CENTURY IN THE FORMATION OF THE CREATIVE FACE OF TETYANA MEDVID

  Nataliya Rudenko-Krayevska

  51-57

  • pdf (Українська)
• CHOREOAGRAPHIC WORKS OF OLEKSIY HOMON IN THE REPERTUARY OF FOLK DANCE ENSEMBLES OF UKRAINE

  Iryna Gutnyk

  57-63

  • pdf (Українська)
• CHINESE NIANHUA OF THE SECOND HALF OF THE XX CENTURY: CREATIVE DIMENSIONS, WORLDVIEW ASPECTS

  Zhao Zhehgguan

  63-68

  • pdf (Українська)
• INTERPRETATION OF EUROPEAN MUSIC BY CHINESE SINGERS: GERMAN SONG LYRICS PERFORMED BY DILBER YUNUS

  Zhu Ling

  68-75

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• VOLODYMYR IVASYUK'S INSTRUMENTAL MUSIC GENRE AND STYLISTIC FEATURES

  Oksana Dovgan; Galina Misko

  75-80

  • pdf (Українська)
• PIANO WORKS BY ANATOLIY KOS-ANATOLSKY IN CONTEXT UKRAINIAN MUSIC AND PERFORMING ARTS

  Oleksandra Nimylovych

  81-88

  • pdf (Українська)
• UKRAINIAN ARTIST: FORMS OF LIFE ACTIVITY AND CREATIVITY

  Serhii Vitkalov; Vladumur Vitkalov

  88-95

  • pdf (Українська)
• TRANSFORMATION OF SOCIO-CULTURAL FUNCTIONS OF FOLK INSTRUMENTAL ART IN THE HISTORICAL RETROSPECTIVE OF THE XX − BEGINNING XXI CENTURY (on the example of the Northern Black Sea Coast of Ukraine)

  Vita Sheremet

  95-101

  • pdf (Українська)
• «LA BELLE DAME SANS MERCI»: RECONSTRACTION OF HISTORY

  Nina Dovgalenko

  102-109

  • pdf (Українська)
• ANTHROPOSOPHICAL INTENTIONS IN THE MUSICAL COMPOSITIONS OF ALOIS HABA

  Svitlana Saldan

  109-114

  • pdf (Українська)
• INTERTEXTUALITY IN THE DESIGN OF THE CLOTHES OF THE SECOND HALF OF THE ХХ CENTURY – THE BEGINNING OF THE ХХІ CENTURY

  Liana Biliakovych

  114-121

  • pdf (Українська)
• THE ART OF BELL CANTO OF THE BAROQUE ERA IN THE MUSICAL CULTURE OF THE XXI CENTURY (USING THE HIP INTERPRETATION «ALTO GIOVE» BY N. PARPORA)

  Inna Shcherbina

  121-128

  • pdf (Українська)
• VOCAL COMPONENT IN FEATURE CINEMA OF THE «THAW» PERIOD: VARIETIES OF SOLO PERFORMANCE

  Olena Yeroshenko

  128-134

  • pdf (Українська)
• MAXIM SHALYGIN'S BALLET «TRACES» – THE EMBODIMENT OF THE SEMANTICS OF IURODSTVO

  Veronika Zinchenko

  134-145

  • pdf (Українська)
• REFLECTION OF THE PRINCIPLES OF ICONICITY IN THE ICONOGRAPHIC IMAGE

  Olena Osadcha

  145-151

  • pdf (Українська)
• REPEATERS OF ARTISTIC TRADITIONS OF THE PAST. THE SUCCESSION OF GENERATIONS IN THE ART, COLLAGE ART

  Tatiana Mironova

  151-159

  • pdf (Українська)
• CREATIVITY ARTISTS OF THE C.j.H. «LOBORTAS» IN THE CONTEXT OF MODERN JEWELERY OF UKRAINE: HISTORIOGRAPHY

  Sergii Luts

  159-167

  • pdf (Українська)
• CREATION OF I. STRAVINSKY IN THE BALLET THEATER OF UKRAINE

  Tetyana Lugovenko, Volodymyr Grek

  168-173

  • pdf (Українська)
• FORMATION OF THE AUTHOR’S STYLE OF JIJI KILIAN IN THE 1970S

  Hanna Perova , Liudmyla Khotsianovska

  173-177

  • pdf (Українська)
• VALERIIA SUPONKINA REGIONAL FIGURES IN THE SPACE OF THE MODERN STAGE

  Оleksandr Aksonov , Serhii Vitkalov

  177-183

  • pdf (Українська)
• TRADITIONAL DANCE IN THE REPERTUARY OF CHOREOGRAPHIC GROUPS OF WESTERN PODILLA

  Liudmyla Shchur

  183-189

  • pdf (Українська)
• ORGANISATIONAL AND CREATIVE TRANSFORMATIONS OF UKRAINIAN CIRCUS: FROM CENTRALIZATION TO REFORMS (1993 – PRESENT)

  Vladyslav Kashuba

  189-195

  • pdf (Українська)
• MODERN THEATRICAL FESTIVALS OF RIVNE

  Людмила Казначеєва, Marina Hrynchuk

  196-201

  • pdf (Українська)