«SONNETS» BY M. DREMLYUGA TO POEMS BY FR. PETRARCH: VOCAL-PERFORMANCE DISCOURCE
DOI:
https://doi.org/10.35619/ucpmk.50.953Keywords:
chamber vocal music, romance, M. Dremlyuga, sonnet, Fr. Petrarch, vocal-performing aspec, interpretation.Abstract
The aim of this paper is to reveal the specifics of the vocal-performing aspect in the field of interpretation of romances-«sonnets» as a form of artistic expression, combining musical and literary discourses, in M. Dremlyuga9s
vocal cycle on Fr. Petrarch9s poems.
Research methodology. The article uses general scientific approaches and methods: analytical, structural, hermeneutic; a special part is made up of special musicological methods: musical-analytical, interpretive, vocaltechnical and vocal-performing.
Results. On the basis of the analysis of the vocal and musical components and artistic context of the selected romances by M. Dremlyuga based on the texts of Fr. Petrarch's sonnets («Songs of Love»; Ukrainian translation by B. Ten), the specifics and characteristic features of the vocal and performing aspect in the sphere of interpretation of these romances as a form of artistic expression combining musical and literary discourses were determined; the main musical and artistic features characteristic of these romances in the sphere of vocal and performance interpretation were identified; it was found out that the expressive sensual mood of the musical statement of each of the romances, coordinating them with each other, creates a unified lyrical and expressive atmosphere of the entire vocal cycle; the important role of the mutual interaction of vocal-technical factors and the meaningful text in the singer9s embodiment of the artistic image of the vocal sonnet is noted.
Novelty. The article reveals the specificity and characteristic features of the vocal-performance component in the
field of interpretation of vocal sonnets by the Ukrainian composer of the 20 th century. M. Dremlyuga on the poems of
Fr. Petrarch («Songs of Love», Ukrainian translation by B. Ten). The practical significance. The article contains information that is useful for professional representatives of the spheres of music art in terms of improving their vocal and artistic performance.
References
1. Drach I. S. Pid tyskom «hravitatsii» soneta. Zelena lampa. Sumy, 1999. № 1-2. S. 68-70.
2. Dremliuha M. Sonety. Kyiv, 1977. 112 s.
3. Kalinina A. S. Pryntsypy spivvidnoshennia slova ta muzyky u vokalnykh tsyklakh kompozytoriv druhoi
polovyny XX stolittia : dys. ... d-ra filosofii z muzychnoho mystetstva : [spets.] 025 «Muzychne mystetstvo», haluz
znan «Kultura i mystetstvo» / Kharkiv. nats. un-t mystetstv im. I. P. Kotliarevskoho. Kharkiv, 2022. 280 s.
4. Ma Tsziatszia. Rol instrumentalizmu v kamerno-vokalnomu vykonavstvi: istorychnyi ta stylovyi aspekty :
avtoref. dys. ... kand. mystetstvoznavstva : 17.00.03 – muz. mystetstvo / Ma Tsziatszia ; M-vo kultury Ukrainy,
Kharkiv. nats. un-t mystetstv im. I. P. Kotliarevskoho. Kharkiv, 2016. 16 s.
5. Osoka O. Sonnet poems in Ukrainian vocal-instrumental music. Grail of Science. Vinnitsa, UKR – Vienna, AUT,
2021. № 10. Р. 632–633. URL: https://ojs.ukrlogos.in.ua/index.php/grail-of-science/article/view/16613 (data zvernennia:
06.01.2025). DOI: https://doi.org/10.36074/grail-of-science.19.11.2021.122.
6. Osoka O. V. Sonet u muzytsi: sproba zhanrovoho modeliuvannia. Yevrointehratsiini protsesy v Ukraini:
istorychni, kulturni, polityko-pravovi ta psykholohichni aspekty : materialy Mizhnar. nauk.-prakt. konf., m. Kyiv. 12–
13 kvitn. 2023 r. Lviv – Torun, 2023. S. 51-53. URL: https:// files.znu.edu.ua/files/Bibliobooks/Inshi73/
0053709.pdf#page=51 (data zvernennia: 18.01.2025). DOI: https://doi.org/10.36059/978-966-397-311-1-11
7. Stariuchenko N. A. Fenomen dialohu v kamerno-vokalnykh tvorakh na perekladeni teksty (na materiali
tvorchosti ukrainskykh i rosiiskykh kompozytoriv XX stolittia) : dys... kand. mystetstvoznav. : 17.00.03. Odesa, 2009.
243 s.URL: https://uacademic.info/ua/document/0410U000263 (data zvernennia: 08.02.2025). 8. Ukrainska muzychna entsyklopediia / redkol.: H. Skrypnyk ta in. Kyiv : IMFE im. M. T. Rylskoho NAN
Ukrainy, 2006. T. 1. 680 s.
9. Shalahinov B. Stezhky i dumy Franchesko Petrarky. Renesansni studii. Zaporizhzhia, 2015. Vyp. 23-24. S. 122-
146. URL: http://rs-journal.kpu.zp.ua/archive/23-24-2015/23-24_2015.pdf (data zvernennia: 14.04.2025).
10. Shmelyova N. O. Osoblyvosti romansovoho melodyzmu Vitaliia Hubarenka u vokalnomu tsykli «Osinni
sonety». Problemy vzaiemodii mystetstva, pedahohiky ta teorii i praktyky osvity : zbirnyk naukovykh statei KhDUM
im. I. P. Kotliarevskoho. Kharkiv, 2010. Vyp. 28. S. 79-90.
11. Shurova N. «Sonety» M. Dremliuhy. Muzyka. Kyiv, 1978. № 6. S. 19.
12. Shutko D. Muzychna vizualizatsiia sonetnoi formy v kamerno-vokalnii tvorchosti Mykoly Dremliuhy.
Kontsertmeisterska diialnist: istoriia, personalii, metodyka : naukovo-metodychnyi zbirnyk : statti ta materialy. Odesa,
2024. S. 106-109. DOI: 10.32782/2224-0926-2024-spec
13. Shutko D. Sonetna forma v konteksti istorychno-kulturnykh yavyshch. Aktualni pytannia humanitarnykh
nauk : mizhvuzivskyi zbirnyk naukovykh prats molodykh vchenykh Drohobytskoho derzhavnoho pedahohichnoho
universytetu imeni Ivana Franka. Drohobych, 2023. Vyp. 70. Tom 2. S. 177-182. URL: https://www.aphnjournal.in.ua/archive/ 70_2023/part_2/24.pdf (data zvernennia: 12.11.2024). DOI: https://doi.org/10.24919/2308-
4863/70-2-24.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Олена ЄРОШЕНКО
This work is licensed under a Creative Commons Attribution 4.0 International License.
