PARACATEGORIES OF NONCLASSICAL AESTHETICS IN AUTHORIAL CINEMA : A PRACTICAL ASPECT

Abstract

The Aim of This Research. This research aims to explore the multifaceted nature of aesthetics as a philosophical discipline, focusing on its integration into modern artistic practices and its role in shaping cultural, social, and personal perspectives. Particular attention is given to the transformation of traditional aesthetic categories within the framework of non-classical aesthetics and their application in authorial cinema.
The Results of the Study. The study reveals that non-classical aesthetics, through its dynamic conceptual frameworks such as harmony-chaos and sublime-ordinary, has significantly expanded the understanding of aesthetic categories. This transformation is vividly demonstrated in the works of auteur filmmakers like Lars von Trier and Quentin Tarantino, who reimagine aesthetic norms to provoke intellectual and emotional engagement.
The Novelty of This Study. The novelty of this study lies in its analysis of the interplay between non-classical aesthetic paradigms and contemporary authorial cinema. It provides a new perspective on how these paradigms not only redefine traditional aesthetic categories but also serve as tools for understanding complex cultural and social phenomena in modern art forms.
The Research Methodology. The study employs an interdisciplinary approach, combining philosophical analysis, comparative cultural studies, and film theory. It integrates textual analysis of films, aesthetic critique, and historical context to examine the influence of non-classical aesthetics on modern artistic expressions.
The Practical Significance of This Study. This research holds practical significance in advancing theoretical discourse in aesthetics and film studies. It offers valuable insights for educators, cultural theorists, and filmmakers by highlighting the role of aesthetic categories in interpreting and creating contemporary art. Moreover, it provides a framework for analyzing modern cinematic works as complex reflections of cultural and philosophical dynamics.