THE TRANSFORMATION OF LINEUP OF WEDDING MUSICIANS (BASED ON THE MATERIAL OF THE VILLAGE OF NASTASIV IN THE TERNOPIL DISTRICT OF TERNOPIL REGION)

Abstract

The aim of the article is to highlight the transformational processes that have taken place within traditional instrumental ensembles of Nastasiv village, Ternopil district, Ternopil region, from the 1920 s to the 2020 s and the impact of external and internal factors on them.
Research methodology. The methodological basis of the study is the work «Transfer and Transformation in Folklore» by Sofia Hrytsa, which defines the effect of transfer which influenced the variable processes in traditional instrumental music of a homogeneous environment.
Methods. The following research methods were used: historical, structural-typological, systemic-ethnophonic, typological, induction and deduction, that enable cover the transformation processes comprehensively.
Scientific novelty. The scientific novelty of the study lies in the attempt made within Ukrainian ethnomusicology to elucidate the transformational changes that have occurred in traditional ensemble music in the village of Nastasiv, Ternopil district, Ternopil region, from the 1920 s to the 2020 s. Attention is drawn to changes in the composition of
traditional wedding music influenced by both external and internal factors.
The practical significance of the study. The material of this study can be used both by ethnomusicologists in their scientific activities and by educators in higher music education institutions during the courses on «Ethno-Instrumentology» and «Folk Music Creativity».