THE ORETICAL ANALYSIS OF CONCERTS IS FOR ACCORDION-BAYAN OF THE KNOWN POLISH COMPOSER OF THE SECOND HALF XX CENTURE BRONISLAV KAZYMYR PSHYBYLSKІY

DOI: https://doi.org/10.35619/ucpmk.vi28.67
Keywords: accordion-bayan creativity, composer, original repertoire, theoretical analysis, concert for accordions.

Abstract

The study focuses on theoretical analysis of Concerts written by the accordion-bayan known in the whole
world by the Polish composer-accordionist Bronislav Kazymyr Pshybylskіy. His original works, created for accordion bayan, are often performed at prestigious international contests of accordion-bayan performance. By studying the creativity of B.K.Pshybylsky musicology science only begins to begin, and accordion -bayan music of the mentioned composer has not yet been the subject of special study.

Author Biography

Maryna Bulda, Vasyl Stefanyk Precarpathian National University», Ivano-Frankivsk

Candidate of Art Studies, docent of Scientific Institute of Arts of the State Higher Educational Establishment

Published
2019-09-06
Issue
No. 28 (2018): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT Scientific journals Branch : Art Criticism
Section
THEORETICAL AND ARTISTIC ASPECTS OF THE UKRAINIAN CULTURE