MODERN CONCERT PRACTICE AS AN ELEMENT OF SOCIAL CHANGES

Abstract

The potential of modern musical art, represented by various groups of performers performing in the regions on the background of political and military tensions, is revealed. Their organizational, cultural and artistic activities are analyzed and it is argued that modern intercultural communication stimulated the emergence of a new type of artists, whose work is based on high intelligence, constant artistic search aimed at using the ethnic component of other countries and expanding potential of own musical instrument through the use of pop-violin, which allows them to combine different styles in their own work - jazz, folk, classical, modern rhythms, ignoring the traditional framework of the genre.