THE PROBLEM OF STYLE PIANO PARADIGM IN THE SPHERE OF SCIENCES ABOUT ART AND CULTURE TO CONTEMPORANEITY

Abstract

Generalised the most significant signs-conceptes of the style revealing in the cultural world of piano plays, amongst which stand out Beethoven type of style – Mоzаrt type of style, from timeses of the romanticism united with Liszt type of style – chопinism, however приобретшие in XX century sense, opposite that, as they differed in XIX: slogan of the progress became in the last Beethoven type of style – Liszt type of stylein performance aquisition then Mоzаrt type of styleand chопinism presented academic or prо-academic base of the thinking, but inthe passed age exactly Mоzаrt type of stylesupplied the piano modernist style, Beethoven type of style – Liszt type of styleare perceived as base academic piano plays.Herewith specified lines of piano expressiveness co-existin autonomous presented measuring oftradition art and modernist style-vanguard, forming «coexistence» of style quality, which clearly differ on spreading in academic circle of pianocreative activity or in sphere ofmodern-vanguardist styleaquisition.