GENRE-STYLE FEATURES OF I. MARTON’S CHAMBER-VOCAL CREATIVITY

Abstract

The article explores the chamber and vocal work of the famous Ukrainian composer I. Marton, whose name is associated with the professionalization of the musical culture of Transcarpathia in the second half of the twentieth century. On the basis of the analytical characteristics of folk song processing and the collection of solo songs, it is concluded that they show signs of late-romantic and neoclassical stylistics, which are revealed in the harmonic language (reliance on tritonic intonation, reduced septaccords, harmonic modulations, preference) elegiac, lyrical miniatures), form (couplet-variational; small in scale, slender). In the treatment of folk songs, the author focuses on specific folklore samples. Minor changes in the tone-and-textural aspects give them distinctive features.