No. 32 (2019): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT Scientific journals Branch : Art Criticism

DOI: https://doi.org/10.35619/ucpm.vi32

Published: 2022-06-01

Full Issue

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• METROPOLITAN ARCHBISHOP ANDREI SHEPTYTSKYI IN THE CONTEXT OF THE UKRAINIAN DIASPORA (dedicated to the 155-th anniversary)

  Аnna Karas

  • pdf (Українська)
• ZINOVII SHTOKALKO’S ART SYNERGY: TRADITION AND INNOVATION (DEDICATED TO 100TH BIRTH ANNIVERSARY)

  Viktoriia Dutchak

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• FRANKIANA IN THE ART OF ARTISTIC WORD OF THE UKRAINIAN DIASPORA IN THE SECOND HALF OF THE ХХ TH – ХХІ ST CENTURIES

  Nadiia Kukuruza

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• CHURCH MUSIC IN THE CONTEXT OF ARTISTIC LIFE IN THE WESTUKRAINIAN PEOPLE’S REPUBLIC (1918–1923)

  Bogdan Kindratiuk

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• URBAN SONG SUBCULTURE AND SICH RIFLEMEN’S SONGS IN THE PROCESS OF DEVELOPMENT OF THE REGIONAL TRADITION OF GALICIA’S MUSIC ART

  Oleh Kolubayev

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• TO THE HISTORY OF ORIGIN OF THE CHAMBER-ORCHESTRA PERFORMANCE OF DROGOBYCHINA

  Maria Kozytska

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• CREATIVE ACTIVITY OF O. VICTOR MATYUK IN COVERING MUSICAL CRITICISM OF HALYCHYNA UNTIL 1939

  Maria Stadnytska

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• PEDAGOGICAL ACTIVITY OF FATHER JOSYF KYSHAKEVYCH

  Iryna Matiychyn

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• REMINISCENCES OF THE VICTORIAN «AVANT-GARDE» IN UKRAINIAN, POLISH AND RUSSIAN FINE ARTS OF DECADENCE AND SYMBOLISM

  Olha Sosik

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• DAVYD BURLIUK: ONE OF UKRAINIAN AVAN-GARDE FOUNDER OR THE ARTIST-EMIGRANT?

  Larisa Kostiuk , Anna Tselinska

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• MYSTERIOUS-GLORIOUS ASPECTS OF THE FRENCH MUSICAL THEATER OF THE BEGINNING OF THE TWENTIETH CENTURY (ON THE EXAMPLE OF THE «OUR LADY'S JUGGLER» BY J. MASSENET)

  Anzhelika Tatarnikova

  • pdf (Українська)
• I. S. BACH VOCAL MINIATURES IN THE MODUS OF SOLO SINGING TRAINING (THROUGH THE PRISM OF MODERN BACHIANISM)

  Olena Yeroshenko , Inna Shcherbina

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• VOCAL AND POPULAR PERFORMANCE OF UKRAINE AT THE END OF XX-BEGINNING OF XXI CENTURIES

  Tetіаnа Kаblovа , Viktor Teterya

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• STRATEGIES FOR THE DEVELOPMENT OF BALLROOM DANCE IN USSR IN THE MID-1950S – EARLY 1960S

  Lidiia Shestopal

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• RESTORATION OF NINETEENTH CENTURY BALLETS AS A TREND

  Hanna Perova , Ludmila Hladka

  • pdf (Українська)
• ORIGINAL CREATIVITY FOR ACADEMIC PEOPLE'S INSTRUMENTS OF WESTERN UKRAINE AT THE BORDER OF THE XX – XXI CENTURY: CENTERS, PROJECTS, TRENDS, PERSONALITIES

  Andrii Oleksiuk

  • pdf (Українська)
• PROBLEMS OF HISTORICAL AND ART STUDIES OF SPATIAL AND TECHNOLOGICAL MEANS OF CREATING SCENIC IMAGERY

  Kateryna Iudova-Romanova

  • pdf (Українська)
• SYMBOL OF COLOR NAMES IN THE BALLET

  Tetyana Lugovenko

  • pdf (Українська)
• А. SCHONBERG - V. KANDINSKY: ANTHROPOSOPHICAL CONTEXT AND INTERCONNECTION LINES OF CREATIVE SEARCH

  Svitlana Saldan

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• MUSIC FUNCTIONS IN DRAMATIC THEATER (Illustrated through staging based on the works of M. Matios)

  Iryna Bosak

  • pdf (Українська)
• METAMORPHOSES OF TURANDOT'S IMAGE IN PAUL HINDEMITH'S SYMPHONIC SCHERZO

  Yu Wan

  • pdf (Українська)
• NATIONAL-MENTAL POTENTIAL OF VOLODYMYR IVASIUK’S SONG CREATIVITY: THE PROBLEM OF MUSIC AND POETIC SEMANTICS

  Oleksandr Holoshchuk , Inna Kyrychenko

  • pdf (Українська)
• THE CONDUCTOR’S FIGURE WITHIN A CONTEMPORARY ART

  Bronislav Shchutskyy , Tetiana Кornisheva

  • pdf (Українська)
• THE ICONOGRAPHIC CANON: «ORTHODOX ICON» VS «RELIGIOUS ART»

  Vitalii Kozinchuk

  • pdf (Українська)
• THE ROLE OF SYMBOLS IN THE FORMATION OF TRADEMARKS

  Tatiana Shramko

  • pdf (Українська)
• VOLYN FOLK CHOREOGRAPHIC ART IN THE CONTEXT OF CROSS-CULTURAL COMMUNICATION

  Mykola Tsapiak

  • pdf (Українська)
• BALLET «BLACK GOLD» BY V. HOMOLIAKA - P. VIRSKYI: SCIENTIFIC AND CRITICAL DISCOURSE

  Alina Pidlypska

  • pdf (Українська)
• MUSEUM COLLECTIONS AS A SOURCE OF STUDY UKRAINIAN TRADITIONAL SHIRT

  Tetiana Shnurenko

  • pdf (Українська)
• CLASSICAL STYLE IN THE EUROPEAN COSTUME DESIGN: TRADITIONS AND MODERN INTERPRETATIONS

  Anastasii Naku

  • pdf (Українська)
• MODERN DEFILES IN UKRAINE AS A FASHION IMAGE REPRESENTATION

  Valeriia Kuznietsova

  • pdf (Українська)