THE IMPACT OF MUSIC PRODUCTION ON THE DEVELOPMENT OF THE FILM INDUSTRY IN THE 1920–1930 s

Abstract

The article is dedicated to the influence of music production on the development of genre, technological, and stylistic features of cinema during the transition from silent to sound films in the 1920–1930 s. The purpose of the article is to
investigate the role of technological advancements in music production in transforming cinema, particularly its contribution to the emergence of new genres, such as the musical film. The research methodology involves the analysis of historical, technological, and cultural sources that highlight the integration of music and sound effects into cinematic practice, utilizing an interdisciplinary approach. The scientific novelty of the research lies in conducting a comprehensive analysis of how advancements in sound recording technologies and the introduction of film music shaped the audiovisual language of cinema. The study concludes that music production played a key role in synthesizing technical, aesthetic, and narrative solutions in cinema, transforming it into a more dynamic and expressive art form. Technological innovations, such as playback, postsynchronization, and sound design, not only redefined the structure of film narratives but also expanded the emotional potential of audiovisual art. The prospects for further research include exploring the interdisciplinary role of music production in creative industries, as well as its impact on animation, theater, multimedia, and modern audiovisual production technologies. Moreover, future studies could examine the collaboration between artists and engineers that led to technological breakthroughs, reshaping the cultural and aesthetic landscape of contemporary media.