VIRTUAL MUSIC PLATFORMS AND INTERACTIVE ONLINE CONCERTS AS INNOVATIVE TOOLS FOR POPULARIZING ACADEMIC VOCAL ART

Keywords: virtual music platforms, online concerts, academic singing, chamber music, opera popularization, digital technologies, performance practice, cultural interaction, music visualization, vocal interpretation.

Abstract

In recent years, the rapid development of digital technologies has revolutionized the cultural and musical landscapes, especially in academic vocal art. Virtual music platforms and interactive online concerts have emerged as essential tools for
expanding cultural reach and enhancing engagement with classical music audiences. This paper examines the potential of these platforms in promoting academic vocal art, focusing on opera and chamber music performances. For students of
academic singing, digital platforms provide unprecedented opportunities for performance practice, connecting with global audiences, and refining artistic expression outside of traditional live performance settings.
This study reviews the latest trends in digital platforms – such as YouTube, Patreon, and specialized music streaming services – that offer adaptable, user-friendly formats for showcasing academic singing. It emphasizes the ways in which these platforms allow for unique interactive experiences, including live feedback from viewers and realtime engagement, which can enhance performance skills and cultivate a broader audience.
Despite these advantages, academic vocalists face distinct challenges when moving from traditional performance venues to digital spaces. These challenges include technical audio and visual adaptation, the lack of immediate audience feedback, and the need for alternative methods of expression to maintain emotional and interpretive depth. Through qualitative analysis of current practices, this paper investigates strategies for overcoming these limitations, including sound interpretation techniques, visual presentation adaptations, and audience interaction methods specifically suited for virtual environments.
In conclusion, this study proposes that virtual platforms are not only effective tools for performance practice but also play a vital role in popularizing academic vocal music by reaching audiences who may otherwise have limited access to
classical music. By leveraging digital platforms, academic vocalists can break geographical barriers, enrich their professional practice, and contribute to the broader cultural dissemination of classical and operatic works. The findings underscore the importance of digital tools in redefining cultural engagement and expanding the reach of academic singing in the 21 st century.

Author Biography

Iryna Stetsenko-Yershova, R. Glier Kyiv Municipal Academy of Music

Master of Musical Arts, Lecturer of the Department of Voice and Choral Conducting, 

Published
2024-12-23
Section
THEORETICAL AND ARTISTIC ASPECTS OF THE UKRAINIAN CULTURE