No. 44 (2023): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT Scientific journals Branch : Art Criticism

DOI: https://doi.org/10.35619/ucpm.vi44

Published: 2023-06-10

Full Issue

• pdf (Українська)

• TRENDS IN THE DEVELOPMENT OF SCIENTIFIC RESEARCH DURING THE WAR

  Volodymyr Vitkalov; Serhii Vitkalov

  3-5

  • pdf (Українська)
• UKRAINIAN KOBZA : ORIGINAL INSTRUMENTAL PROTOTYPE AND WAYS OF MIGRATIONS

  Iryna Zinkiv

  6-18

  • pdf (Українська)
• VARIETIES OF LATE PALEOLITHIC WIND INSTRUMENTS IN PRIMITIVE MUSICAL AND INSTRUMENTAL CULTURE OF UKRAINE

  Olga Olijnyk

  18-29

  • pdf (Українська)
• GUIDO SANTORSOLA’S GUITAR MUSIC : GENRE-STYLE FEATURES OF CREATIVITY

  Tetiana Filatova

  29-40

  • pdf (Українська)
• THE IMAGE OF THE LEGENDARY MULAN IN LIU HANLI'S COMPOSITION «MULAN SI» FOR YANGQIN'S SOLO AND THE ENSEMBLE OF FOLK INSTRUMENTS

  Ren Jiaqi

  40-48

  • pdf (Українська)
• THE IDEA OF JAGIELLONISM OF LVIV'SSCHOOLS OF USICOLOGY

  Oksana Hysa

  48-51

  • pdf (Українська)
• THE FORMATION OF THE TANGO GENRE IN THE CONTEXT OF ASTOR PIAZZOLLA'S WORK

  Myron Cherepanyn , Maryna Bulda

  52-57

  • pdf (Українська)
• SOCIO-CULTURAL AND MUSICAL AND PROFESSIONAL CONDITIONS OF THE APPEARANCE, EVOLUTION AND SPREAD OF THE ACCORDION

  Bohdan Kysliak

  58-64

  • pdf (Українська)
• LEV GETS IN EXHIBITION PROJECTS OF LVIV IN THE 1920 S: COOPERATION WITH GROUPS OF ARTISTS OF UKRAINIAN ART

  Iryna Gakh

  64-71

  • pdf (Українська)
• MODERN CHINESE SURREALISM: BASED ON LUI LIU'S WORKS

  Haotian Liu

  71-77

  • pdf (Українська)
• A COMPARATIVE STUDY OF THE ARTISTIC FEATURES OF CHINESE AND UKRAINIAN CHILDREN'S BOOK ILLUSTRATIONS AT THE BEGINNING OF THE 21 ST CENTURY

  Wang Hanping

  77-89

  • pdf (Українська)
• TETIANA YABLONSKA'S CREATIVE SEARCH IN HER PASTELS OF 2003-2005

  Maryna Yur ; Tetyana Zinenko , Veronika Zaitseva

  89-97

  • pdf (Українська)
• LAUGHING CULTURE OF THE UKRAINIAN PEOPLE IN PICTURES OF «THE KOSSACK MAMAY» TYPE

  Stanislav Bushak

  97-104

  • pdf (Українська)
• POPULARIZATION OF LEMKOS SONG FOLKLORE IN THE PERFORMING PRACTICE OF UKRAINIAN AND ABROAD ARTISTS

  Olga Fabryka-Protska

  105-110

  • pdf (Українська)
• ENTERTAINMENT DIMENSIONS OF CONTEMPORARY BANDURA ART

  Violetta Dutchak, Karas Hanna

  111-117

  • pdf (Українська)
• THE VICTORIAN ERA THROUGH THE PRISM OF THE BIEDERMEIER STYLE

  Алла Соколова

  118-124

  • pdf (Українська)
• PARATEXTUAL-INTERMEDIATE CORRELATIONS IN THE FOLKLORISTIC, CHORAL AND PIANO HERITAGE OF MYKOLA LYSENKO

  Oksana Frait

  125-131

  • pdf (Українська)
• «CONCERTINO»BY LEONID ZATULOVSKYI: INTERPRETATION OF THE GENRE

  Yuliya Kapliyenko-Iliuk

  131-137

  • pdf (Українська)
• «THE PURITANS» BY V. BELLINI IN THE RIVER OF GENRE-STYLE SYNTHESIS OF ROMANTIC MUSICAL DRAMA

  Anna Dzhulay

  138-144

  • pdf (Українська)
• IMPLEMENTATION OF MONOIDEOLOGICAL PRINCIPLES IN ART CRITICISM IN SOVIET UKRAINE IN THE 1930 S

  Alina Pidlypska

  144-148

  • pdf (Українська)
• CHORAL WORKS BY VICTORIA POLEVA IN THE CONTEXT OF INTERMEDIALITY

  Nina Dovgalenko

  149-155

  • pdf (Українська)
• SONG CYCLE «THE PLAY OF COLOURS» BY BOHDANA FILTS BASED ON POEMS BY SVIATOSLAV HORDYNSKYI: PRINCIPLES OF CORRELATION BETWEEN MUSIC AND WORDS

  Oleksandra Nimylovych

  155-161

  • pdf (Українська)
• DRAMATIC VERSIFICATIONS OF THE CHORAL SEGMENT IN THE OPERA «MOSES» BY MYROSLAV SKORYKA

  Iryna Kurylyak

  161-166

  • pdf (Українська)
• CHORAL BALLAD «ZEMGALE» BY PETERIS VASKS: MUSICAL UNDERSTANDING OF THE HISTORICAL PAST

  Mariia Tytova

  166-172

  • pdf (Українська)
• THE MUSICAL LANGUAGE OF THE CELLO SONATA BY FEDIR YAKYMENKO

  Modest Mentsinskyy

  173-179

  • pdf (Українська)
• GENRE AND STYLE PALETTE OF PIANO WORKS BY BY VASYL BEZKOROVAINYI

  Oksana Pysmenna

  180-187

  • pdf (Українська)
• «NEOMIPH» IN THE FIGURATIVE DECOR OF TEMPLE AND PUBLIC BUILDINGS INTERIOR AND EXTERIOR DECOR OF EASTERN HALYCHYNA IN THE EARLY 20 TH CENTURY

  Olena Yakymova

  188-195

  • pdf (Українська)
• THE SPIRITUAL EVOLUTION OF HUMANITY THROUGH THE PRISM OF THE HISTORY OF RELIGIOUS ART [Review of the monograph by Y.V. Bondarchuk «The history of religious art as a reflection of the spiritual evolution of humanity in the cosmic cycles of precession». Lvi

  Serhii Vytkalov

  196-201

  • pdf (Українська)
• RETURN FROM OBLIVION (TO THE 70TH ANNIVERSARY OF THE DEATH OF COMPOSER VSEVOLOD ZADERATSKYI)

  Mariia Ostapchuk

  201-206

  • pdf (Українська)
• IMPLEMENTATION OF INNOVATIVE METHODS AND EUROPEAN EXPERIENCE IN THE TRAINING OF AUDIOVISUAL PROFESSIONALS

  Yaroslav Lupii ; Serhii Danylenko

  206-215

  • pdf (Українська)
• SPECIFICITY OF THE INTERNATIONAL COMPETITION-FESTIVAL MOVEMENT OF ACCORDION PERFORMANCE IN THE CONTEXT OF CHINA'S MUSICAL CULTURE

  Dong Itao

  215-219

  • pdf (Українська)
• A MURAL AS A WORK OF ART IN THE CONTEXT OF MASS CULTURE OF THE XXI CENTURY

  Anastasiia Diachuk , Olena Vlasyk

  220-225

  • pdf (Українська)
• COVERAGE OF THE TOPIC OF NUCLEAR ENERGY IN THE FINE ARTS OF UKRAINE THROUGH THE PRISM OF FOREIGN EXPERIENCE

  Daria Lutsyk

  225-232

  • pdf (Українська)
• DESIGN IN THE CONTEXT OF MODERN CULTURAL DEVELOPMENT

  Oksana Rykhlitska ; Anastasiia Tormakhova

  232-237

  • pdf (Українська)