SELF-PUBLISHING AS A FORM OF CREATIVE EXPRESSION AND INDEPENDENT PUBLICATION IN UKRAINIAN PHOTOGRAPHY IN THE 2010S-2020 S
Abstract
Problem Statement and Relevance of the Study. The study addresses the phenomenon of photographic selfpublishing in the Ukrainian context during the 2010 s-2020 s as a significant tool for creative expression and independent publication. The research is relevant due to the need for theoretical understanding of self-publishing as a fundamental artistic position that ensures creative process autonomy and independence from institutional constraints. This phenomenon has significantly influenced the formation and development of contemporary Ukrainian photobooks, establishing new standards for visual communication and artistic practice. A comprehensive study of this phenomenon provides deeper understanding of transformations in contemporary Ukrainian art and its role in the global cultural context.
Research Methodology. The research methodology combines theoretical and empirical approaches to examine self-publishing as a method of artistic investigation. The study draws on philosophical works about contemporary art theory while analyzing the practical manifestations of self-publishing in Ukrainian photography. The empirical research is based on a comprehensive examination of self-published works by contemporary Ukrainian photographers, focusing on their conceptual practices, creative approaches, and the material aspects of their publications. The methodology emphasizes the analysis of both the physical characteristics of self-published works and their conceptual foundations.
Results. The study reveals that photographic self-publishing in Ukraine has evolved from an alternative publication form into a full-fledged artistic method and platform for creative experimentation. The research demonstrates how self-publishing has become a space where the materiality of publication is an integral part of the conceptual design. The findings indicate a significant transformation in the role of photographers, who have evolved from image producers to multidisciplinary authors.
Furthermore, the practice has formed a new visual epistemology that successfully combines documentary approaches with conceptual art. The research also highlights how limited editions and careful attention to material implementation enhance both the collectible value of works and create unique interactions with photographic material.
Novelty. The research introduces novel perspectives on the transformation of contemporary Ukrainian photography and publishing practices. It presents an original analysis of how self-publishing has evolved from an alternative publication method to a conceptual artistic practice. The study offers new insights into the formation of a unique artistic expression space that operates independently of institutional constraints. Additionally, it provides an innovative framework for understanding the development of visual epistemology in Ukrainian photography, contributing to the broader discourse on contemporary art practices.
The Practical Significance. The research has substantial practical implications for understanding the development of contemporary Ukrainian photobooks culture and the evolution of independent publishing practices. It provides valuable insights for artists, curators, and researchers working in the field of contemporary photography and publishing. The findings
contribute to the theoretical framework for studying contemporary visual art practices and support the development of experimental approaches in photographic publication. The research also helps establish new standards for visual communication in artistic practice and offers guidance for future developments in the field of independent publishing.
