PRINCIPLES OF DECONSTRUCTION IN CONTEMPORARY VISUAL ART: THE UKRAINIAN EXPERIENCE
Abstract
The aim of the research is to identify and analyze the specifics of deconstruction practices in the Ukrainian artists’ works of the late 20 – 21 st centuries, considering national socio-cultural context. The study of contemporary art practices offers valuable insights into the transformations occurring in human consciousness and society.
Methodology of the research. The methodological basis of the article is inherently interdisciplinary, enabling an in-depth analysis of both artistic practices and the cultural contexts in which they emerge. The theoretical basis of the study is based on the philosophical method of deconstruction by Jacques Derrida, art history studies and cultural studies by Ukrainian and Western European researchers. The methodological basis is strengthened by semiotic analysis, gender analysis, discourse analysis. These methods allowed us to explore the national, symbolic and gender aspects of contemporary visual art, and to analyze its public narratives.
Results. The study concludes that the principles of deconstruction in contemporary art practices not only transform traditional aesthetics but also serve as a powerful tool for constructing national identity and reinterpreting historical, political, and socio-cultural experiences. Contemporary artists actively employ deconstruction principles to articulate public statements and ensure their voices resonate within the global community.
The novelty. The study enabled the authors to identify and systematize the main directions of creative deconstruction practiced by Ukrainian artists. This approach highlights the most sensitive aspects of Ukrainian history, culture, and artistic creativity that remain highly relevant today. The research contributes to the advancement of scientific knowledge regarding the application of deconstructivist methods in Ukrainian art practices and clarifies their impact on the evolution of contemporary visual art.
The practical value. The results of the research can serve as a foundation for further analysis of contemporary Ukrainian art and provide recommendations to artists, curators, and cultural institutions on promoting creativity that incorporates the principles of deconstruction and embraces new approaches to art.