RESEARCH ON THE CONCEPT OF MUSICAL DRAMATURGY IN THEATRICAL PERFORMANCES
Abstract
The article «Exploring the Concept of Musical Dramaturgy in Theatrical Productions» delves into a comprehensive analysis of the role of music in the theatrical arts through the lens of musical dramaturgy. Through a historical overview of the
development of musical dramaturgy in various cultural and historical contexts, the article identifies key aspects of this concept and its influence on the creation and reception of theatrical productions. The author explores different approaches to understanding musical dramaturgy, including integrative, dramaturgical, expressive, and sociological perspectives, demonstrating their practical significance in crafting emotionally rich and impactful theatrical experiences for audiences. This
article not only enriches our understanding of musical dramaturgy but also opens up new avenues for further research in this field, contributing to the ongoing development of theatrical arts as a whole.
Objective: The aim is to uncover the evolution of the concept of musical dramaturgy in theatre, identify diverse approaches to its understanding, and illuminate its role in creating emotionally engaging and impressive theatrical performances for audiences. The goal of the article is to stimulate discussion and further research in this area to enhance understanding and appreciation of the importance of musical dramaturgy for contemporary theatre.
Research Methodology: Based on the analysis of primary sources, literary references, and theoretical concepts of musical dramaturgy in theatrical productions. Utilizing a comparative analysis of various cultural and historical contexts, as
well as a critical review of contemporary research in the field. The methodology involves systematic organization and synthesis of information to identify key aspects of musical dramaturgy and its influence on theatrical art.
Scientific novelty: The article offers a renewed and in-depth examination of the concept of «musical dramaturgy in theatrical productions», revealing it through the prism of different historical periods, cultural contexts, and methodological
approaches. The emphasis on various aspects of this concept, including its evolution, role in contemporary theatrical art, and its relationship with other cultural aspects, makes the article innovative and opens up new possibilities for further research in this field.
Practical Significance: The article holds significant practical value for theatrical studies, education, and performance practice. Understanding musical dramaturgy in theatrical productions helps theater practitioners, musicians, and directors
better organize the musical aspects of performances, providing a deeper understanding of the emotional impact of music on audiences. Moreover, this research can serve as a basis for developing new theoretical concepts in the field of musical
dramaturgy and contribute to the further development of theatrical arts as a whole.
Conclusion: This article has examined the concept of «musical dramaturgy in theatrical productions» from various perspectives – historical, cultural, and methodological, among others. Through an analysis of different stages of the
development of this art form, consideration of various approaches to its understanding and research methodology, we have come to understand the importance of musical dramaturgy in theatrical performances as a key element influencing the emotional experience of audiences. This research underscores the significance of music as an integral part of theatrical art and contributes to a deeper understanding of its role in the contemporary cultural context.
