THE RESURRECTION IMAGE-ARCHETYPE IN CHOICE CONCERTS BY DMYTRO BORTNIANSKYI AND HANNA HAVRYLETS: BETWEEN ETHICS AND RITUARY

Abstract

It is determined that the Concert by D. Bortnianskyi as ethical dominant in the interpretation of the Resurrection has a lyrical contemplation, which at the generalized level transmits national-archetypal thinking, full of Christian wisdom, the elements of European-wide rhetoric of its time used in it. In the work by H. Havrylets, from the point of view of ethics, the solemn joy of the Resurrection was given as a Christian blessing, and the cordocentric sense of sound and interpretation of spiritual meaning through the prism of lyricism and fun and the folk-song nature of melodism testify to the vivid national-ethical conception of Christianity.