No. 26 (2018): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT Scientific journals Branch : Art Criticism

DOI: https://doi.org/10.35619/ucpm.vi26

Published: 2022-06-02

Full Issue

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• POLISH AVANT-GARDE IN THE CONTEXT OF «UKRAINE – POLAND» DIALOGUE OF CULTURES

  Vоlоdymyr Lychkovakh

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• VISUAL IMAGES IN THE MODERN SCIENTIFIC DISCUSSION. GLAMOR AS AN VISUAL IMAGE REPRESENTATION

  Ruslana Bezugla

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• OBJECTIVATION OF CYCLIC DYNAMICS OF FASHION IN CLOTHES DESIGN OF THE SECOND HALF OF XX – BEGINNING OF XXI CENTURY

  Liana Biliakovych

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• SOCIOCULTURAL, AESTHETIC, ARTISTIC AND DESIGN BACKGROUNDS OF HISTORICAL METHOD SPREADING IN DESIGN PRACTICES DURING 1950–1970

  Viktoriia Galudzina-Gorobets

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• INDIVIDUAL DESIGN: FEATURES OF FORMING AND FUNCTIONING

  Liliya Zhuravel-Zmieieva

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• THE INTERACTION OF POETRY AND MUSIC (BY THE EXAMPLE OF BOHDAN-YURII YANIVSKYI’S VOCAL WORKS WRITTEN ON THE POEM OF B. STELMAKH)

  Khrystyna Golubinka

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• POST-ROMANTIC AND POST-MODERNIST IDEALIZATION IN PIANO WORKS OF TRANSCARPATHIAN COMPOSERS

  Lianna Buchok

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• INTERACTION BETWEEN LITERARY AND CHOREOGRAPHIC SOURCES IN SUITE FROM BALLET «SHADOWS OF FORGOTTEN ANCESTORS» BY VITALII KIREYKO FOR VIOLIN AND PIANO

  Iryna Klymbus

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• SIGNIFICANCE OF THE PRACTICE OF PSYCHOLOGICAL SKILLS IN MODERN CHOREAOGRAPHIC TRAININGS

  Tаtiana Pavlyuk

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• PRINCIPLES OF SCENIC TRANSFORMATION OF AN ACTOR

  Olena Khlystun

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• THE EVALUATION OF EUGENIIA ERSHOVA’S CREATIVE EDUCATION FOR THE DEVELOPMENT OF MUSIC PROCESSES ON THE UKRAINIAN BALLET STAGE 1940–1960

  Liudmyla Vyshotravka

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• THE HISTORY OF THE SMORGACHEVA-LUKIN BALLET DUET

  Olga Bilach

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• MODERNIZATION OF ARTISTIC LANGUAGE OF BALLET PERFORMANCES DURING 60-80-TH OF ХХ CENTURY

  Larysa Markevych

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• THE IMAGE OF TOKYO IN EUROPEAN FEATURE FILMS (1945–2015)

  Alina Tymofeyenko

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• BELLS AND BELLING IN LIVES OF POKUTTIA RESIDANCES

  Bohdan Kindratiuk

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• CONCEPTS OF ORIGIN AND DEVELOPMENT OF PREHISTORIC ART IN THE STUDIES OF THE SECOND HALF OF ХХ th AND ХХІ st. CENTURY

  Yaroslava Bondarchuk

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• THE IMAGE OF YEVSTACHIA PLAKIDS IN THE UKRAINIAN SACRAL ART OF THE XI–XVIII CENTURIES

  Marta Moskal

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• FOLK DANCES OF VOLYN AND VOLYN POLISSIA IN FOLKLORE-ETHNOGRAPHICAL RESEARCHES OF MYKOLA POLIATYKIN

  Ihor Stepaniuk

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• VOCAL-PERFORMING CREATIVITY: DOMESTIC SCIENTIFIC REFLEXIA

  Anastasiia Lavrynenko

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• PERSONALITY OF PLATON MAIBORODA IN THE CONTEXT OF UKRAINIAN MUSICAL CHOIR CULTURE

  Nataliya Percova, Nadiа Broiako

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• ROMANCE OF M.V. LISENKO «HETMEN, HETMEN» FROM POEM «HAYDAMAKS» T.G. SHEVCHENKO IN CONTEXT OF FEATURES OF COBZARIAN IMPLEMENTATION (ON THE EXAMPLE OF THE PIANO PARTY OF THE ROMANCE)

  Ruslana Shevchenko

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• THE TRADITIONS OF THE UKRAINIAN LITURGY SINGING IN THE MUSICAL COMPOSITIONS OF MODERN COMPOSERS FROM NORTH-AMERICAN EMIGRANT COMMUNITY

  Zhanna Zvarychuk

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• CANTATAS «SICH IS COMING» AND «INSURGENTS» OF R. NYKYFORIV ON THE POETRY OF V. ROMANYUK AS A MODEL OF THE MODERN HEROIC DRAMATIC CHOIR MUSIC

  Ulyana Molchko

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• ACCORDION ART OF UKRAINE IN THE CONTEXT OF THE DEVELOPMENT OF COMPETITION AND FESTIVAL MOVEMENT

  Valery Marchenko , Tetiana Sidleckaya

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• PECULIARITIES OF PERFORMING MANNER OF MUNICIPAL CHAMBER CHOIR «GALICIAN BELLS» (IVANO-FRANKIVSK)

  Oksana Maneliuk

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• MASS CULTURE AS A COMMUNICATIVE SPACE OF MODERN РОР MUSIC ART

  Marianna Druzhynets

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• VARIETIES OF ACOUSTIC GUITAR AND THEIR APPLICATION IN CONTEMPORARY MUSICAL CULTURE

  Svitlana Grynenko

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• DIGITAL TECHNOLOGIES IN DESIGN AND ARCHITECTURE. TO THE QUESTION OF TERMINOLOGY

  Nataliya Vergunova

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• USE OF HOLOGRAPHIC DESIGN IN THE ORGANIZATION OF SCENIC RELATIVE SHOW

  Tetiana Sovgyra

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• ARTIST IN THE CULTURAL AREA OF THE CITY: DEDICATED TO THE 60 TH ANNIVERSARY OF ARTIST FROM RIVNE ALEXANDER BOBRYSHEV

  Sergiy Vitkalov

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• KIEV DOMRA SCHOOL: HISTORICAL ASPECTS OF FORMATION

  Ilga Kolts

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