CONCEPTUAL SEARCHES OF YEVHEN LYSYK IN THE CONTEXT OF ESTABLISHMENT OF NONCONFORMISM IN STAGE SPACE DESIGN
Abstract
The purpose of the article is to reveal the peculiarities of the creative activity of the chief artist of the Lviv Opera and Ballet Theater Yevhen Lysyk in the context of the formation of nonconformism in Ukrainian art. Research methodology. The method of cultural-historical analysis was applied, which made it possible to consider the development trends of stage art design in the 1950-1970 s; the typological method, which contributed to the identification of the features of the manifestations of nonconformism in accordance with the specifics of the design of stage art; the functionaltypological method, which contributed to the identification of the specificity of nonconformism in the artistic decisions of E. Lysyk; the method of art history, figurative-stylistic and formal-stylistic analysis of the design of the stage space of performances developed by Yevhen Lysyk on the stage of the Lviv Opera and Ballet Theater and others. Scientific novelty. Peculiarities of the creative activity of the chief artist of the Lviv Opera and Ballet Theater Yevgeny Lysyk in the context of the formation of nonconformism in Ukrainian art are studied. The specificity of the manifestation of nonconformism tendencies in the artist's scenography is revealed; on the basis of the analysis of architectural elements and features of the visual image of the stage space of performances, the characteristic features of Yevhen Lysik's nonconformism were revealed. It has been established that the formation of the aesthetic code of effective scenography in the Lviv Opera and Ballet Theater and the reform of the artistic language of the set decoration were determined not least by the process of selfidentification of Ye. in general. The design of the stage space of the performances developed and implemented by the master represents a unique matrix of the ideological artistic concept of creativity, which was formed and developed during decades of
creative activity in the context of the struggle for the physical and spiritual freedom of man.
Practical significance. Certain aspects and conclusions of the study can be used in further scientific development of the problem of non-conformism in stage design.
