ANTHROPOSOPHICAL INTENTIONS IN THE MUSICAL COMPOSITIONS OF ALOIS HABA

Abstract

The article is devoted to the study of the main provisions of anthroposophy Rudolf Steiner. They are reflected in
Czech music composer Alois Haba.
It is revealed that the main theses about the freedom of the individual, his free development, the unity of spiritual
and material in human life formed the basis of musical aesthetic views of the composer.
R. Steiner's opinion on the perspective of transformation of forms of expression lado tonal system in the art of
music has become a mainstay of development A. Haba's fascination with micro-intervals.
R. Steiner's opinion on the prospect of transformation of the forms of expression of the ladotonal system in the art of
music became the basis for the development of A. Haba's fascination with microintervals. This is due to a change in worldview in
society. In anthroposophy A. Haba sought new compositional techniques as well themes, ideas and heroes of musical works.