USE OF HOLOGRAPHIC DESIGN IN THE ORGANIZATION OF SCENIC RELATIVE SHOW

Abstract

The article is devoted to the study of the specificity of the use of holographic projection of images in conditions of scenic space. The paper uses general scientific and specific scientific methods: analytical – in the analysis of philosophical, art criticism, cultural literature on the subject of research; historical – to find out the stages of formation of holographic design as an artistic phenomenon; theoretical – to understand the essence of the concept, its component and specificity of involvement in the scenic space; comparative-typological – for revealing features of similarity and differences between scenic and visual arts as types of art; conceptual – in the analysis and characterization of the conceptual-terminological research system.