ROMANCE OF M.V. LISENKO «HETMEN, HETMEN» FROM POEM «HAYDAMAKS» T.G. SHEVCHENKO IN CONTEXT OF FEATURES OF COBZARIAN IMPLEMENTATION (ON THE EXAMPLE OF THE PIANO PARTY OF THE ROMANCE)

Abstract

In the article it has been analyzed the epic-dramatic romance of M. Lysenko «Hetmen, Hetmen» («The Feast in Chygyryn») from the poem «Haydamaks» by T. Shevchenko. The piano texture was investigated, techniques and elements of bandura performance were discovered and their creative rethinking in vocal work as well. The review of the instrumental accompaniments of the dumas in the performance of the composers' contemporary kobzars, processed and recorded by F. Kolesa, M.V. Lysenko and the questions of the embodiment of the bandura component in the piano party of the romance were considered. It was discovered that the transfer and implantation of kobzar techniques to the piano texture enriches the technical and expressive means and creates a vivid national nature of the vocal composition of the
composer.