ORIGINAL CREATIVITY FOR ACADEMIC PEOPLE'S INSTRUMENTS OF WESTERN UKRAINE AT THE BORDER OF THE XX – XXI CENTURY: CENTERS, PROJECTS, TRENDS, PERSONALITIES

Abstract

The article is devoted to an overview of the processes that characterize the development of folk-instrumental art of the XX-XXI centuries, which is one of the priority topics of regional musicology today. In Ukraine there are many powerful educational and performing centers of folk-instrumental performance, whose activities are devoted to a lot of intelligence. The creative projects implemented in the territory of Lviv, Ternopil and Ivano-Frankivsk over the last decades remain less studied.
Since the specified period of time is characterized by an unconditional increase in the professional level in pedagogy, performing on folk instruments (and therefore with the emergence of a relevant repertoire), it is important to trace the current trends, as well as to highlight the main events and activities of iconic figures of folk-instrumental performance.