RESTORATION OF NINETEENTH CENTURY BALLETS AS A TREND

Abstract

The article points out the starting points of the modern dance: opposition to classical dance as the embodiment of the idea of modernism about breaking with tradition; attention to the inner life of the personality, its psycho-emotional states; naturalness and freedom of external plastic-choreographic manifestations; the influence of rhythmoplastic theories (the leading role of rhythm, mainly internal). Based on historical-chronological and phylogenetic approaches, the main path of the genesis and development of modern dance from individual performing styles (L. Fuller, I. Duncan) through the first attempts to create a system (T. Shawn, R. Saint-Denis) to the formation and strengthening of techniques is traced. and schools (M. Graham, D. Humphrey, C. Weidman, R. Laban). Plastic mobility and improvisation of modern dance
determines the dependence of choreographic vocabulary, plastic nuances, rhythm, mood on the possibilities, temperament, level of dance training of specific dancers.