PRINCIPLES OF SCENIC TRANSFORMATION OF AN ACTOR

Abstract

Attention is drawn to the need to analyze the principles and origins of the actor’s transformation, the rationale for the uniqueness of the actor’s emotional state in the act of stage reincarnation. The game approach to the origin of the creative act of transformation is revealed. It was found that the precondition of the act of transformation in the role is the awareness and consideration of the play of the beginning of the actor’s stage activities. The factor of the game and its awareness make it possible to use the actor to imitate the outward signs of the character, while remaining in that psycho-emotional state that led to imitation.