POST-ROMANTIC AND POST-MODERNIST IDEALIZATION IN PIANO WORKS OF TRANSCARPATHIAN COMPOSERS

Abstract

It was discovered that the experience of analytical study of this phenomenon contains the imperfection of the analytical apparatus due to the avoidance of modern criteria of research in the category «style» – out of discourses of the ХХ th century creating style processes, that are generally orientated on the idea of global cultural synthesis and reinterpretation «motions». It has been established that the creative concepts of piano works of Transcarpathian composers in the historical period of time from the first half of the ХХ to the beginning of the XXI century show, first of all, the historically necessary intention to «equal» with the academic practice of layout and style specialization of musical creativity in terms of mastering the latest
stylistic models of creativity; including – actualization algorithms of stylistic specialization in the model of post-romanticism and postmodernism, which are generally close in terms of the discourse of the idealization of certain cultural traditions.