FRANKIANA IN THE ART OF ARTISTIC WORD OF THE UKRAINIAN DIASPORA IN THE SECOND HALF OF THE ХХ TH – ХХІ ST CENTURIES

  • Nadiia Kukuruza State Higher Educational Institution «Vasyl Stefanyk Precarpathian National University» Ivano-Frankivsk, Ukraine
DOI: https://doi.org/10.35619/ucpm.vi32.245
Keywords: frankiana, poetic theater, staging, artistic performance, thematic concert, Ukrainian diaspora

Abstract

The article deals with the embodiment of Frankiana in the stage art of the Ukrainian diaspora in the second half of the 20th and the beginning of 21st centuries. It reveals their programmatic purpose as an important factor in forming the moral and national-ideological principles of different diaspora generations. Based on the analysis it was concluded that both professional and amateur artists performed works of Ivan Franko in different genres: theater productions, poetic theater, artistic performance.

Author Biography

Nadiia Kukuruza, State Higher Educational Institution «Vasyl Stefanyk Precarpathian National University» Ivano-Frankivsk, Ukraine

Ph.D in Arts, associate professor, the Department of Performing Arts and Choreography

Published
2020-04-04
Issue
No. 32 (2019): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT Scientific journals Branch : Art Criticism
Section
ІСТОРИКО-МИСТЕЦЬКА СПАДЩИНА УКРАЇНИ В КОНТЕКСТІ СВІТОВОГО КУЛЬТУРНОГО ПРОСТОРУ